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| Beware -- MAJOR SPOILERS! |
I'll admit it: I cried during this movie.
Of course it's not what you may think -- I didn't cry during the opening sequence, even though it was pretty moving. Nor at the end, even though it was a satisfying sweet and magical, and a surprisingly deep ending fitting to the rest of the film. Nor during any of the sweetly melancholy and thoughtful moments in the middle.
No, I cried...
Because I was laughing too hard.
I guess there's just something totally original and brilliant and hilarious about having a snowman come alive, and naively dream about spending a nice summer day at the beach. Add a cynical listener who stoutly resolves, "I'm going to tell him" and an unfailing optimist who shoots back, "Don't you dare!" and suddenly I'm trying desperately to regain composure so I can hear what was going on during the following two minutes.
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| And that's more or less how the whole movie went. Introducing the cynic, and the optimist. |
Just like
I suspected all those months ago,
Frozen is another example of Disney being very weird and releasing a trailer that makes their latest soon-to-be-smash hit animation princess flick look like the first-ever awful Disney Princess movie. Okay, the trailer maybe wasn't
that bad, but a sigh and an eye-roll is a big difference from not being able to breathe from all the laughing, and then being nearly floored by the maturity of the message. The trend started with
Tangled, so, the next Disney movie whose title is an adjective is the first movie whose trailer I boycott. I don't need all those good jokes spoiled anyway.
I might as well admit this too: I (and the rest of the universe) adored the music.
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| "Reindeers are better than people. Sven, don't you think that's true?" No, wait a minute... |
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| "Let it go, let it go... can't hold it back anymore!"-- That's the one. |
I can't get it out of my head and it's very distracting. Although some of the lyrics gave me a kinda odd new-age-y impression once or twice, the tunes are undeniably catchy, and just pure fun, and of course, very often hilarious.
All the voice work was top-notch.
Kristen Bell as Anna was quirky and chipper and cute,
Jonathan Groff as Kristoff was funny and charmingly grumpy (I loved the way he spoke for Sven -- too good).
Santino Fontana as Hans was, well, perfect... and perfectly sinister... and perfectly annoying when he reveals himself! Why oh why must you be evil? Then
Josh Gad as Olaf was a laugh a minute, so consistently hilarious. And I must mention
Alan Tudyk, (in a small role but still) who was totally wacko as the Duke of Weaseltown, er, Weselton... whatever.
But
Idina Menzel as Queen Elsa blew the rest of them away. She effortlessly outshone everyone, even Bell in their every scene together (though not too much so as to make anyone seem actually bad) but most impressively, she occasionally out-shined the gorgeous animation work; sometimes her vocal inflection was more expressive than the animator's expressions. (And no, that's not a flaw; it's too impressive to be called a flaw.)
Especially since the animation was so gorgeous, as I mentioned. But that's no surprise; in fact I knew that it would be since they released the first picture -- of concept art.
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| Who needs a trailer anyway? All you really need is a similar picture to this, and the name "Disney." |
The theme about true love being sacrificial love was awesome, and I was pleasantly surprised at how matter-of-fact they were about it. And that the only way Elsa can control her powers is by embracing it, and wielding it through love, not through her own effort of trying to force it -- that's some powerful stuff. I was impressed, pleased and practically even proud at these things.
However, I thought the theme rebuking the idea of "love at first sight" came off a bit heavy-handed. They were probably only trying to say "Don't rush into what you may think is love but is really only skin-deep," but what I heard was more like, "If you meet your dream fellow, and he appears to be everything you wanted and a perfect match for you, dump him, because he's probably a fake and will try to kill you." Of course, Hans being a bad guy just confuses everything -- the point would have been better made if Anna had chosen Kristoff over Hans because Kristoff was the better man, not because Hans was a bad one.
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| Gosh, look at me -- I'm hyper-analyzing a Disney movie! But seriously,
if Hans was good, and had saved Anna with selfless love, would he
still be the wrong guy for her? Just because he seemed perfect? |
The Hans twist was definitely unexpected, and halfway sensible, but I can't help wondering how the story would have gone if Hans was just being shallow like Anna. Maybe, like Anna, as the story progressed and he grew in character (like he appeared to be) he'd find a more difficult, but ultimately more rewarding match in someone else...a. (Get it? Get it?) Yes, my ideal ending for this movie was a double wedding.
It didn't happen, (there wasn't even a single wedding) but that's okay, that's what I get for deciding how the story should go. And I did have a bit of a bone to pick, but honestly, I liked
Frozen -- a lot. I liked the humor, the look, the sound, the characters and the heart. It was all wonderful. In fact I may even love Frozen. I can't say positively yet because I've only seen it once and I wouldn't want to rush into anything, but there was definitely an element of... immediate... attraction.
