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Showing posts with label Zachary Levi. Show all posts
Showing posts with label Zachary Levi. Show all posts

Friday, April 5, 2019

Shazam!

Spoiler-free!

The DCEU is slowly finding its feet. When Aquaman came out I was hoping they'd grow away from trying to copy the dead-though-profitable Marvel formula, and now Shazam! -- a movie with an exclamation point in its title about a foster kid who is endowed with the power of the gods by a wizard in order to defeat the seven deadly sins incarnate -- is their most on-brand and unique offering yet.

Keep going DCEU! Embrace your qualities! The ridiculousness and the darkness alike! Be yourself!

Unfortunately, unique doesn't necessitate good, and this flick has its share of missteps. But here's the difference between the MCU and the DCEU these days: MCU films are an even flat line of quality; middling, but steady across the board. DCEU films have ups and downs of quality so that it's maybe lower on average than the MCU line, but because of the fluctuation it hits highs from time to time that give it life. Much like a heartbeat. And Shazam! is a perfect example of this heart monitor effect. On the low side there's things like overcooked jokes and boring fight scenes that at best add nothing to the film and at worst take time away from the upper side, where Billy Batson (Asher Angel) is a superhero looking for a family and a purpose and Don't Stop Me Now plays in training montages.

At the top of the highs always seem to be Billy and his foster brother Freddy (Jack Dylan Grazer) and even their other foster siblings too. Billy is reluctant to settle down with them for understandable reasons and I thought it was very cute how uncomfortable the family feels at first and yet settles into a warm place without changing any of the characters. Like the mom and dad's cheesiness. They become endearing naturally. Zachary Levi's super-sized version of Billy is complicated. I liked what he was doing -- he has great comic delivery, was goofy and charming, and then compelling when he needed to be -- but he didn't always match Billy's character in the way Asher portrays him. The kid version acts more maturely than the adult, and the inconsistency bothered me.

If only Asher had more goofy scenes and Zac had more serious scenes. Just to match them more closely.

I also enjoyed Mark Strong's villain for the most part. They took time to develop him into an evil place, but once they got him there, they let him fall through the cracks. Still he is Mark Strong; so he's consistently cool. His horde of demon-eyed monsters does body-slam the film's tone into surprising darkness a few times -- but I didn't mind the tonal shifts in themselves; the problem was that the shifting was clunky and jarring, not that darkness was inappropriate in the story. A good balance of seriousness and goofiness can be very effective, but this movie doesn't balance them so much as it's continually trading one for the other. Whenever it brings both sides together it works much better and fulfills its purpose of bringing stakes to the plot.

I guess this movie has a balancing problem overall. It has good comedy and it has great drama, but it doesn't know how to make it meld or when to stop pushing. The first act was conducive to the comedy and that's where the best stuff is. Then the third act naturally needs more of the drama, and again, it delivers. But the second act is a mess in trying to transition the plot into the big showdown, while also spending every possible second in Big-style "superhero" stuff, where Billy is just Zac in nerdy goof-off mode. This might've been fixed by having Billy and Mark Strong meet sooner, but it's hard to tell. There was an awful lot of wasting time going that I would've loved to see used for more streamlined character-furthering purposes.

Did I say that Jack Grazer was a highlight? Because he was. Also, Adam Brody shows up for a little while and I enjoyed that very much.

The fight sequences were mostly DCEU-patented punching and slamming and flying around without much repercussion. But emphasis on mostly. In the end they always seem to come around to a compelling or smart conclusion, so all the CGI punching is just more empty entertainment padding. I get why there's so much of it, but I liked the characters, story, and important moments so much that I kept wishing for more of that, even if it meant shorter battle sequences. Never been much for those anyway. But I'd much rather wait out a quick fight scene or two than have the whole movie be a cold product, and since Shazam! delivers on the heart consistently throughout, I was never left wanting for long.

It's kind of a mess, throwing everything and the kitchen sink into a bottle and flossing to shake. A lot of it doesn't mix and it often gets distracted by how much fun it's having. It is fun though; charming, sweet, funny, freaky as all get out, mythical and magical yet grounded, and populated with lovable characters. It has all the pieces, and just doesn't know exactly how to assemble them in the most efficient and effective way. But it never forgets about the heart -- and that's what makes it super. SHAZAM!

Monday, April 1, 2019

Upcoming Movie Roundup - April

Alrighty! In March I saw Captain Marvel as expected. Found it pretty unremarkable (review here). And sadly didn't get to see The Kid which I was hoping to be able to. I did watch Triple Frontier because it was on Netflix, and it was good enough to make an enjoyable watch, but I didn't have anything to say about it, so I didn't review it.

The biggest surprise though, was that I went to see Five Feet Apart, and not only that, but I really, really liked it! And not just in a typical teen romance kind of way. It was good in ways that surpassed the genre. But it also fit the genre too. It was a great balance of cheesy romance, real emotions, and informative of Cystic Fibrosis that worked without any element stepping on the toes of the others. (review here!)

I'm still annoyingly interested in seeing Dumbo too, but no one want to see it with me. Sad days. Anyway, April is shaping up nicely! If all goes to plan more than a few of these movies should be a good time! So what looks good to you?


Shazam!
April 5th; PG-13
My most anticipated of the month is first! Zachary Levi, Jack Grazer, Mark Strong... I haven't seen the kid who plays Billy before, but I bet he's good too. I admit, the trailer got tiresome when it first came out, but since my excitement has steadily been building regardless, and all the positive early reviews are only making me more pumped! The idea of making Big into a superhero movie seems like a ton of fun, and I'm looking forward to a superhero flick that isn't a boring slog for a nice change. The DCEU has had its downs but it's capable of great heights too, and I get a feeling this one's going up!




Pet Sematary
April 5th; R
I dunno, maybe someday, but definitely not in theaters. Honestly, I'm not over Hereditary yet, and need some more time before seeing legit scary movies again. Or maybe the way to fix it IS to see some better scary movies! I heard somewhere this is the scariest Stephen King adaptation yet. It does look good, and generally my speed. Jason Clarke and Amy Seimetz (of Stranger Things) star.




High Life
April 5th(limited); R
Robert Pattinson and his daughter, Mia Goth and other what? Criminals? In space? I keep an eye on all scifi movies, so this is here. But somehow, I get the impression that it isn't exactly what I'd want it to be. Looks pretty though.




The Wind
April 5th(limited); R
Another horror movie, and this one seems more supernatural, which isn't so much my horror speed. I do like the lonely setting and the richly low-key tone though. Will consider, if the opportunity arises...




Unicorn Store
April 5th; NR
Brie Larson's directorial debut, on Netflix, with her Captain Marvel buddy Samuel L. Jackson too. I feel like I'll definitely watch this, mostly out of curiosity and because it's on Netflix so it's free. The plot doesn't instantly appeal to me, but it could be interesting. Or it could be frilly nonsense. I guess we'll find out!!




Hellboy
April 12th; R
I just recently realized that my liking the Guillermo Del Toro version is kinda an "unpopular opinion" or maybe the people who didn't like it are just being extra hard on it in anticipation of liking this one more. I mean, it's rated R, so what could go wrong, right?? Well, that sounds fine to me, but I honestly didn't notice anything lacking in Del Toro's, and this one won't have his eye for visuals or practical effects. It's looks CGI, and less than spectacular. Also seems a bit cheap script-wise with several lame jokes in the trailer, but Del Toro's was no masterpiece on that score either. It does have David Harbour... in place of Ron Perlman. Seems like a toss-up there. If it gets good reviews though, I wouldn't be surprised if I went to see it.




Missing Link
April 12th(limited); PG
It's stop-motion animation. I don't care what it's about: I'll see it. But it's about some Bigfoot-type creature, apparently. And the cast is great: Hugh Jackman, Zoe Saldana, Timothy Olyphant, Emma Thompson, Zach Galifianikis, and Stephen Fry. Doesn't look like the best stop-motion ever, with the dumb jokes, but like I said. I'll give it a chance!




Teen Spirit
April 12th; PG-13
This is like the kind of movie that I'll always be interested in but never actually buckle down and watch. It looks great, I love the neon and the style... but plot-wise, there's this dread that it'll go the way it appears to be that might keep me away. Elle Fanning tries to become a teen music idol.




Stockholm
April 12th(limited); R
Yeah, I guess it looks pretty funny in a pleasantly dark way, and it's got Ethan Hawke, Mark Strong, and Noomi Rapace. I guess this is the real-life situation that started the whole Stockholm syndrome thing? All I know is that this is the sort of thing I might or might not ever watch, depending on if the mood strikes and there's nothing better to do.




The Perfect Date
April 12th; NR
Hahaha, yes, please! Noah Centineo rents himself out to high school girls in need of chaperones. So... like... a PG escort service. The premise alone makes me laugh. It's Netflix, it's a teen rom-com. You know I'm on board.




The Man Who Killed Don Quixote
April 19th(limited); NR
Is this for real? Is it actually coming? I feel like this movie doesn't actually exist and we're just getting duped right now. The biggest April Fools joke of all time or something. I know it has mixed reviews at the moment but I can't help being absolutely stoked -- it just looks exactly like my kind of deal. Jonathan Price, Adam Driver and Stellan SkarsgÄrd. Terry Gilliam craziness hopefully. I don't know if and don't expect it to come to my theater, but I will definitely be seeing it at my earliest opportunity!




Under the Silver Lake
April 19th(limited); R
Another potential April Fools joke. This one I had in my upcoming post back in June of last year and I think it might actually be coming for real this time. Andrew Garfield and Riley Keough. At this point it's mostly the curiosity that's keeping me from forgetting it entirely.




Avengers: Endgame
April 26th; PG-13
Le sigh. My brother hasn't bought our tickets yet, but undoubtedly I'll be there opening night. I'm not dreading it, but I'm not excited either. There are things I think seem promising that I'll likely enjoy and other things that will almost certainly irritate me. At this point, it's par for the course with the MCU. The biggest event movie of the modern era, and my hype level is a resounding zero. Let's get it over with, so we can get back to Spider-Man.




Body at Brighton Rock
April 26th(limited); NR
This looks like quite the interesting little indie thriller. Obviously pretty cheap, but has a very solid premise of an inexperienced park ranger finding a body and having to wait with it for help to arrive. If they do the story well it won't matter at all if the production is cheap.


Wednesday, November 13, 2013

Thor: The Dark World

It's been two years since New York and the Chitari invasion, and Thor (Chris Hemsworth) is just finishing cleaning up Loki's mess. Now the nine realms are back in order. And soon, they'll literally be in order, as they're aligning -- a phenomenon that happens thousands of years apart. Last time, Thor's granddad was king, and he barely prevented the dark elves and their leader Malekith from covering the lands in darkness. Malekith escaped of course, and now is back, and bent on bringing the darkness with him.

Malekith is played by Christopher Eccleston, and half the time speaks a made-up "dark elf" language. I understand that the idea is to give them credibility, but while reading captions it is very hard to pay attention to anything else, so while I was halfheartedly trying to do both, I did neither. Malekith sadly ended up a rather generic bad guy. His sidekick, however, made up for it a little by being impressively creepy and intimidating.

This is neither Malekith nor his number one, just some typical creepy elves...

There's also a secondary plot resolved at the end of the second act, and its climax was more climatic than the third act, which sets up a huge climax, but then falls short. (See spoiler #1 at the bottom of this post) The main plot has an intriguing premise and it slowly builds throughout the film until it reaches enormous proportions. It was so great that, apparently the writers had a hard time figuring out how to beat it, and their solution was underwhelming. (See spoiler #2)

I doubt it needs saying, but Loki is what I enjoyed most out of this film. All Loki needs to be his incredible self is the equally incredible Tom Hiddleston, who is as good as ever here, (as always) but it's interesting to see the slight changes that different directors have directed in the character. Branagh's influence on Loki made him pitiable; Whedon's made him an awesome villain, and this director, Alan Taylor made him unpredictable, and mysterious. And Taylor did nothing wrong -- Loki is still by far the best character in the film, and funnier than ever -- but he seems to just be humoring us Loki fans instead of actually being interested in developing the character for himself, and appreciating the importance of a character like that. (Spoiler #3) No matter how small a part he is, he's still a step above, so why not include him more throughout movie, and let the movie benefit from the boost? The majority of Loki is seen in the second act, and that was definitely the peak of the film.

Loki takes up light reading.

All the concentration was centered on Thor and Jane, and I'll get to them in a minute, but what is it they have against Fandral, Sif, Hogun, and Volstagg? They had bigger roles in the first film, and I was hoping they'd get some more development and screen time for this one. Especially since Zachary Levi is now playing Fandral. But no, we're only teased with the characters' development, and they're only used until they're not necessary anymore. Levi does get more than the rest, but Jamie Alexander's Sif is only shown enough so we know she's jealous of Jane, and Hogun and Volstagg get next to nothing.

And that's not even mentioning these guys. The supporting roles from Earth. Though they do get more screen time than their Asgardian counterparts.

If attention had been more evenly spread it wouldn't have mattered at all that the hero, Thor's character arc was more like a flat line... or flat-line. Starting out as a great hero with no personal problems, he didn't have anywhere to go -- a common problem with sequels, and something of a catch 22, as it would be arguably worse to redo the character's original arc than for them to have none. The main drama with Thor this time around is between him and Jane. (Natalie Portman) She's hurt and confused that it's taken this long for him to return, but really there's not much drama to be had here. Everyone knows Thor is way too gentlemanly to ditch Jane, no matter how petty (and tiny) and clingy she is.

Humans.

Besides being slightly more boring as a flawless hero, Thor's character was much improved since his first solo. He wasn't a blooming idiot anymore, and was wise to the ways of Earth as he should be. Still, he doesn't belong there, so there are some very subtle fish-out-of-water moments with one being exceptionally hilarious. (Spoiler #4) Still, the only time he really come to life is when he's bantering with his cheerfully evil brother.

They really do act like brothers. You can almost hear Thor saying, "Loki! Stop it, you're annoying me!"

The Dark World may be more confused, but is definitely prettier than its predecessor. The special effects got an upgrade, and were used to their best advantage. Asgard was breath-taking, and beautifully developed to a realistic, living city, slightly reminiscent of something out of The Lord of the Rings. On Earth, instead of being in the middle of nowhere, we get to see London and Greenwich, and two or three other realms in a little less detail. This huge increase in scope is probably the best improvement on the first Thor film. You can see where the budget went, and it is far from useless.

Action scenes also felt the good effects and are longer and cleaner and more epic in true Marvel style. They've found their formula, and will not be abandoning it anytime soon. On one hand this is good, because it guarantees a certain quality, and on the other, bad, because formula is the edge of a slippery slope that ends in a rut -- and Marvel may have slipped down it already.

But in the end, Thor is... solid -- and his movie is too. It was consistently funny with two particularly great jokes, (Spoiler #4 & 5) and it never turned too cheesy, or dull and generic that I couldn't enjoy it. It may not have met my grandest expectations, but it succeeded in its purpose of being a fun, visual and action-packed Marvel blockbuster, and a great backdrop for Loki to shine against. Not that last part? Watch the movie, and see for yourself.

The end. Thor is now protecting you from evil spoilers.

WARNING: SPOILERS! If you haven't seen the movie, I have located the spoilers here, away from the rest of the review for your convenience to avoid. If you have seen the movie, read on, and I ironically apologize for the inconvenience.

Spoiler #1 - The secondary plot has to do with Jane being infected with a substance which Malekith needs to succeed in his plan. The whole second act revolves around Thor and Co. trying to get it out of her while still keeping it away from Malekith. This plot was way more interesting and involving than the main one, and it resolved awesomely with Loki playing for the bad side, but really for the good side, but really for his own side.

Spoiler #2 - In the end Jane tinkering with her data-collecting Earth technology is the key to ruining Malekith's plan thousands of years in the making, which really brings the epic climatic levels down a lot.

Spoiler #3 - He puts his death scene at the end of the second act, and even though he didn't really die, he doesn't appear again, and the third act suffers the loss. And while I'm on the subject -- the death scene wasn't traumatic enough, so as soon as they walked away from the body and cracked a joke, I knew he was fine.

Spoiler #4 - When he hangs Mjolnir on the coat rack -- brilliant.

Spoiler #5 - When Loki turns into Cap. I did not see that coming and it was great -- in fact that entire scene was hilarious.

Monday, November 26, 2012

Tangled

"You should know that this is the strangest thing I have ever done!"

This Disney animated musical movie is another prime example of my rather annoying habit of becoming adamantly against a particular film based on a very small amount of information that I could easily ignore if I already had decided to like it instead. The small bit of information I used for my unjust judgment here came from this trailer.


The first time I saw this trailer, I was tired of it before it was over. I figured the rest of the movie would be just as silly and boring as the trailer. I absolutely love an animated movie just as much as when I was a kid, but even back then wouldn't have enjoyed watching an entire movie full of the dull ridiculousness you just witnessed above.

It must be all in the presentation.

If I had seen the trailer below first, for instance, I would have much more readily formed a positive opinion of the film, which would have changed very little even after I saw the movie.


THIS trailer is a good representation of Tangled. Unfortunate that a couple minutes ago was the first time I've seen it... isn't it?

Nevertheless, and thankfully, this quirky story of Rapunzel, an eighteen-year-old girl with a dream and impossibly long, magical hair, and a charming, impossibly handsome thief, Flynn Rider, (voiced very pleasingly by Mandy Moore and Zachary Levi) still got me. I'm tempted to say this may be the very first Disney Princess movie in which the supporting hero outshines the heroine - almost. It would be too shocking if it was actually, but they certainly are at least equal, and that is probably a record anyway. The two animated characters have more character and more chemistry than a number of live-action movies couples! In spite of that first trailer, this film turns out to be a unique and exciting, actually funny, and even endearing offering from Disney.

Concept art that is only slightly more gorgeous than what you see in the film.

Yes, there are still some very silly aspects to this movie, but I found they mostly turn sweet when balanced so well with some heartfelt moments, moments of breathtaking animation, a witty script and two surprisingly fleshed-out and loveable lead characters. Tangled is a pleasure to watch every time.

- 4.5/5 stars