I didn't see a single movie in theaters in August, so I guess that means the summer season is over. I still want to see the indies I mentioned, but will have to wait for them. I did watch The Defenders on Netflix, and it was worse than my low expectations were expecting; absolutely pathetic, and the worst thing Netflix's Marvel has done, which is pretty incredible to me considering the long build-up the show had. Check out my review here.
As it stands, there's no big releases of September I'll definitely be seeing in theaters either, though there's plenty of interesting releases to keep an eye on, and hopefully at least watch at home. What looks good to y'all this month? I hope you all had a fantastic summer!
It
Sept 8th; R
For some reason I feel like this movie is capitalizing on the success of Stranger Things. Maybe because Finn Wolfhard is in it, maybe because it really does have that flavor. Of course, IT existed first. So I always say I'm not a horror movie person, but whenever something like this comes along I find myself interested. This isn't your average cheap scary movie, but the scarier something is the more "worth it" it needs to be. And this looks like the absolute most terrifying thing I've ever had even an inclining to watch! If I had to venture a guess about the quality right now I'd say it's going to be high -- really high. But it also look pretty freaking scary, so. It stars the talented Jaeden Lieberher, and Bill Skarsgard of the Skarsgard acting family as Pennywise.
Anti Matter
Sept 8th; NR
This one claims to be a scifi noir which immediately grabbed my attention, but the trailer is just... odd. It does have a strong mystery element to it, and there's definitely scifi too, but the style could be more appealing. The visual style seems to lean more scifi than noir, which is all too often the case I find, but it does have style at least, so that's already ahead of the curve. Anyway this is the sort of movie you watch because of the genre and premise regardless of what the trailer looks like. This is the sort of thing I'd love to watch at home out of pure curiosity if I ever see it streaming, with not a whole lot of expectation, either low or high.
The Limehouse Golem
Sept 8th(limited); NR
British period mystery yes please. A "before Jack the Ripper" tale in the 1800s, with Bill Nighy as the detective, with Olivia Cooke, Douglas Booth, and ever-fantastic Eddie Marsan who supports the heck out of everything he supports. This looks like a classic British mystery in a borderline typical way, but even if it is, I think I'd prefer it that way, especially if it's done well. Will keep an eye out!
Rebel in the Rye
Sept 15th; PG-13
Nicholas Hoult looks pretty strange with brown eyes. This is a biopic about J.D. Salinger, who wrote The Catcher in the Rye, and I haven't read The Catcher in the Rye. It looks like the sort of thing I'd enjoy as a writer, but based on the few reviews around, it's not worth much. A case of wasted potential, it appears. At any rate, I wouldn't let myself watch it before reading the guy's book, but it does have Kevin Spacey and Sarah Paulson besides Hoult, and looks like a good drama on the surface.
Mother!
Sept 15th; NR
Well this one's already been making waves ever since the trailer first dropped, but it's also one of those cases where I'm not in on the joke. Even if it turned out appropriate enough that I want to bother with it, which is unlikely, I still have no obsession with Darren Aronofsky, having never seen a single movie of his, and my like of Jennifer Lawrence is dwindling at best. It's a psychological thriller, which produces idle curiosity over what the twist is, but otherwise doesn't seem to promise anything worthwhile beyond an extremely memorable style. I expect the day I watch this is the day I had nothing better to do. Javier Bardem co-stars.
American Assassin
Sept 15th(limited); R
So I guess Dylan O'Brien wants to be an action star. Good -- because he's really good at it. The energy he brings to his action is extremely unique and entertaining. I'm not a fangirl, but I'd watch this guy play in action flicks all day long. And that's the main appeal of this film, though it does have Michael Keaton in it, and what looks like a fun-while-being-super-serious kind of plot.
Brad's Status
Sept 15th(limited); R
Ben Stiller's back. For some reason I like Ben Stiller, especially when he's in dramedies and indies. The appeal of this one really is just him and the rest of the cast. Austin Abrams of Paper Towns is his son, Jenna Fischer is his wife, and Michael Sheen, Luke Wilson and Jemaine Clement are his more "successful" friends. Sounds nice. Sounds like I don't even care what the plot is.
Kingsman: The Golden Circle
Sept 22nd; R
I gave a favorable review to the first one, but the last half bothered me. I re-watched it recently and now firmly believe that while stylish, and charming on the surface, it isn't nearly as smart as it thinks it is, and has little going on under the surface. That's not to say this one won't be good, or even that I won't see it. I'm not sure. It's just to say that I'm not head-over-heels, and won't be holding out much hope that this sequel will be any improvement. The success of the first implies this will be more of the same, which is hardly ever an improvement, and almost always a relative let-down. But Taron Egerton is still here and being charming so it can only sink so far. Mark Strong is back too. Colin Firth returning is far-fetched, but I suppose that's the whole point!
The Lego Ninjago Movie
Sept 22nd; PG
I'd be very surprised if this ends up being even in the same ballpark of quality as The Lego Movie or even The Lego Batman Movie, but it exists, so hey, you might as well watch it! That's maybe not the best thing to say. It is important that movies try to have good quality after all, and this one is probably mostly just banking on the success of the previously mentioned, but the trailer does provide a few giggles, so that's not nothing. Voice talents of Dave Franco, Justin Theroux, and Jackie Chan will be heard.
American Made
Sept 29th; R
This is the sort of movie that looks good, but I just don't care. Tom Cruise is making up for The Mummy apparently; the story is light and full of comedy but is also based on a true story so that different and fun; and it's got a unique style to it, maybe coming from the era. It looks like a worthwhile watch, but is the sort of thing I wouldn't ever see unless it was convenient. In short, it looks great, and forgettable. Dohmnall Gleeson is also in it though.
Realive
Sept 29th; NR
Pronounced "re-alive" not "real-ive" I assume. Overlooking the kinda bad title, this is an interesting scifi movie to me, because it takes an idea that is very popular -- cryogenically freezing yourself when you're dying until the science is invented to save you -- and applies it in the most realistic way I've ever seen in a movie premise. Like, why has no one thought of making a movie from this perspective before? From the trailer it looks like it's told from a realistic perspective, though who knows how it plays out. Tom Hughes stars, and the movie promises a bit of romance as well. Gotta watch those scifi movies!
Showing posts with label Tom Hughes. Show all posts
Showing posts with label Tom Hughes. Show all posts
Friday, September 1, 2017
Friday, December 5, 2014
About Time
This review is spoiler-free.
The day Tim turns twenty-one, his father takes him aside and tells him the family secret. Like most family secrets, it's not exactly the sort of thing you'd want to go blabbing to everyone, but that's where the similarities end. Tim even has a hard time believing it. "This is such a weird joke..." he says hesitantly after his dad solemnly delivers the punch line of, "all the men in this family can time travel." Swearing revenge on his father for such a strange prank, he goes in search of a dark cupboard. Inside, he closes his eyes, clenches his fists, and thinks of the past -- yesterday's terrible New Years Eve party. When he opens his eyes again he's still in the cupboard, but he's wearing different clothes and music is blaring. Knowing what will happen, he takes the opportunity to fix a few things: not knocking over a table of drinks onto a couch full of the cool kids, and planting a kiss on the girl standing by him at midnight -- before returning to the present, full of questions.
On his father's advice, he opts not to use his abilities for the gain of wealth, but for the gain of happiness. In his words: "I'd really like to get a girlfriend." But even with time at your disposal, love can still be a very complicated thing to figure out.
My sister and I are currently in the middle of a long search for "the perfect classic rom-com." It's an elusive little critter, and I was tempted to end the search with this movie, but honestly, About Time is far too extraordinary to fall simply under the category of "rom-com." Although it is primarily made of romance and comedy, it is not at all formatted like a rom-com, and never comes close to the sugary fluff that defines the genre.
The most glaring difference to me is that this movie is all about the guy. Played by the absolutely adorable Irish ginger Domhnall Gleeson. You may recognize him as Ron Weasley's brother; you may recognize him in Star Wars 7 come May, provided he hasn't landed a part as an prosthetic-covered alien. I discovered him this summer when I found every single ginger actor in the UK in an attempt to figure out who the 12th Doctor should be/have been. Having seen him act now I think he'd be a fantasic Doctor... but I'm straying from the point. Gleeson is an exceptional lead here -- by any genre. The movie is about him (and time) and he is unquestionably the best of it. Tim can be awkward and dense, and makes mistakes, but we are always on his side no matter what. He is completely charming, kind, gracious, and caring, and downright hilarious in a wonderful, classic British high comedy sort of way. And that last bit goes for the whole movie too.
The supporting cast is brimming with talented faces. Like Bill Nighy as Tim's dad. Everything he does is, of course, masterful. Lindsay Duncan is quirky, or, rather, slightly off, and amusing as his mum. Lydia Wilson of "The Making of a Lady" is Kit Kat, the sister, and almost completely unrecognizable under the persona of a loopy and care-free hippie. The gorgeous Tom Hughes makes appearances as her troublesome boyfriend. And Tom Hollander is outrageous as the disturbed playwright uncle who hates everyone and everything. I laughed so hard at one of his scenes we had to rewind after we were finished as our laughing bled into the next scene. Every side character has the quirks to make them totally individual, and the natural portrayal to make them believably realistic.
And then, and then, there is Rachel McAdams. She is technically the second main character, as the love interest, but she is one of two things (albeit the lesser of the two) that puts a slight damper of the magnificence of this film. It's probably all my fault; I'm just not a fan of McAdams. She just doesn't charm me. I like her considerably better when she plays... dislikeable people, like in Midnight in Paris, and here, her character Mary, the American living in London, insecure, sweet and sassy, only occasionally (and perhaps unintentionally) borders on... dislikable. But as far as her likable characters go, this is her best by my reckoning.
The bigger dampener is the R rating, and the content that caused it. The language exceeds a PG-13 by a count of about 4, and otherwise, there were two scenes left unwatched. Not the worst it could have been, but would the film suffer if it were tamed down a notch? I wouldn't think so, but that's not accounting for the butterfly effect. (It is a time travel movie after all.) If the maturity of the content had been brought down, perhaps the maturity of the message would have been dragged down with it. I can't see why it would, but I do know I've never seen a more appropriate rom-com with a theme equal to this one; in significance, or sincerity.
We and Tim go through life in this film together, and see the truth of real life reflected in its simple and honest artistry. He learns, and we are reminded -- that worrying instead of living through life is never profitable; that it's better to give out love than receive it, and that every day -- every moment -- is a gift worth appreciating. They are common themes, a dime a dozen in movies with no better ideas, but the true, sincere concept of Tim's tale. Through his eyes you see that these ideas may seem insignificant and frivolous until they are applied with powerful effect to one's own extraordinary, ordinary life.
No time travel necessary.
 |
| I will refrain from puns -- it's about time I refrain from puns! After that one, after that one... |
The day Tim turns twenty-one, his father takes him aside and tells him the family secret. Like most family secrets, it's not exactly the sort of thing you'd want to go blabbing to everyone, but that's where the similarities end. Tim even has a hard time believing it. "This is such a weird joke..." he says hesitantly after his dad solemnly delivers the punch line of, "all the men in this family can time travel." Swearing revenge on his father for such a strange prank, he goes in search of a dark cupboard. Inside, he closes his eyes, clenches his fists, and thinks of the past -- yesterday's terrible New Years Eve party. When he opens his eyes again he's still in the cupboard, but he's wearing different clothes and music is blaring. Knowing what will happen, he takes the opportunity to fix a few things: not knocking over a table of drinks onto a couch full of the cool kids, and planting a kiss on the girl standing by him at midnight -- before returning to the present, full of questions.
 |
| In fact, the option of time travel can make it even more complicated. |
My sister and I are currently in the middle of a long search for "the perfect classic rom-com." It's an elusive little critter, and I was tempted to end the search with this movie, but honestly, About Time is far too extraordinary to fall simply under the category of "rom-com." Although it is primarily made of romance and comedy, it is not at all formatted like a rom-com, and never comes close to the sugary fluff that defines the genre.
The most glaring difference to me is that this movie is all about the guy. Played by the absolutely adorable Irish ginger Domhnall Gleeson. You may recognize him as Ron Weasley's brother; you may recognize him in Star Wars 7 come May, provided he hasn't landed a part as an prosthetic-covered alien. I discovered him this summer when I found every single ginger actor in the UK in an attempt to figure out who the 12th Doctor should be/have been. Having seen him act now I think he'd be a fantasic Doctor... but I'm straying from the point. Gleeson is an exceptional lead here -- by any genre. The movie is about him (and time) and he is unquestionably the best of it. Tim can be awkward and dense, and makes mistakes, but we are always on his side no matter what. He is completely charming, kind, gracious, and caring, and downright hilarious in a wonderful, classic British high comedy sort of way. And that last bit goes for the whole movie too.
 |
| Romantic comedies with leading men always seem to be the best. |
The supporting cast is brimming with talented faces. Like Bill Nighy as Tim's dad. Everything he does is, of course, masterful. Lindsay Duncan is quirky, or, rather, slightly off, and amusing as his mum. Lydia Wilson of "The Making of a Lady" is Kit Kat, the sister, and almost completely unrecognizable under the persona of a loopy and care-free hippie. The gorgeous Tom Hughes makes appearances as her troublesome boyfriend. And Tom Hollander is outrageous as the disturbed playwright uncle who hates everyone and everything. I laughed so hard at one of his scenes we had to rewind after we were finished as our laughing bled into the next scene. Every side character has the quirks to make them totally individual, and the natural portrayal to make them believably realistic.
 |
| Even the smallest side character is unique and smartly portrayed. |
And then, and then, there is Rachel McAdams. She is technically the second main character, as the love interest, but she is one of two things (albeit the lesser of the two) that puts a slight damper of the magnificence of this film. It's probably all my fault; I'm just not a fan of McAdams. She just doesn't charm me. I like her considerably better when she plays... dislikeable people, like in Midnight in Paris, and here, her character Mary, the American living in London, insecure, sweet and sassy, only occasionally (and perhaps unintentionally) borders on... dislikable. But as far as her likable characters go, this is her best by my reckoning.
 |
| They were cute, but I did think she was a little out of his league -- opposite of the way we were supposed to think. |
The bigger dampener is the R rating, and the content that caused it. The language exceeds a PG-13 by a count of about 4, and otherwise, there were two scenes left unwatched. Not the worst it could have been, but would the film suffer if it were tamed down a notch? I wouldn't think so, but that's not accounting for the butterfly effect. (It is a time travel movie after all.) If the maturity of the content had been brought down, perhaps the maturity of the message would have been dragged down with it. I can't see why it would, but I do know I've never seen a more appropriate rom-com with a theme equal to this one; in significance, or sincerity.
We and Tim go through life in this film together, and see the truth of real life reflected in its simple and honest artistry. He learns, and we are reminded -- that worrying instead of living through life is never profitable; that it's better to give out love than receive it, and that every day -- every moment -- is a gift worth appreciating. They are common themes, a dime a dozen in movies with no better ideas, but the true, sincere concept of Tim's tale. Through his eyes you see that these ideas may seem insignificant and frivolous until they are applied with powerful effect to one's own extraordinary, ordinary life.
No time travel necessary.
 |
| See you again a long time ago! (In a galaxy far, far away!) |
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