The Old Guard

Spoiler-free!

A group of immortals, (Charlize Theron, Matthias Schoenaerts, Marwan Kenzari, and Luca Marinelli) whose bodies heal themselves from any injury, go around the world and get themselves in dangerous situations in the two-fold hope that they'll do some good in the world... and that maybe someday they'll die.

If that sounds like an interesting, exciting flick to you, then I'm sorry to report: that isn't what actually happens in the movie. That is the premise of the characters' existence, only. The plot of the movie is that a new immortal (KiKi Layne) becomes known to them in a vision directly after they mess up on one of those said missions and get some bad guys on their tail. (Chiwetel Ejiofor, Harry Melling) They have to find and recruit her to their ranks before facing down the baddies who want to study them for a cure for death.

My one hope was that it'd be better than Bloodshot. No dice.

Even that sounds more exciting than the movie winds up being. It's Deadpool without the comedy, and half the action. It's a long series of droning conversations about things that are more ambiguous than deep, inter-cut occasionally with quota-filling fight scenes that do nothing to drive the plot forward. Sometimes action happens off screen, then when the character who witnessed it relates the event to the others, the movie flashes back so we can see it, too. It's desperate to put in as much action as possible, but it can't keep itself from those meaningless conversations in which people who are hundreds of years old act like whiny children, cynical of their own existence.

There really aren't any positive sides to it for me, but if you tend to enjoy action -- fight scenes with hands, guns, and swords kind of stuff, complete with improbable choreography -- then this movie does have that going for it. Shaky cam has finally, and thankfully, died, so you can see what's going on in the film, and none of the set pieces are too extravagant to need an excess of CGI. A good thing, because the CGI isn't great. (when is it ever?) Still, the fights aren't particularly exciting, filmed typically, and without stakes in the narrative to back it up.

They spend the whole movie telling us why we should care, and never give us a reason to.

The film opens on the group complaining, and arguing over whether they should take another "case", which made me instantly not care about them. There's only four yet they're developed so shallowly. Charlize is the whiny leader, Matthias is handsome, and the other two are gay. (And Marwan was Jafar in that awful live action Aladdin!) That's it. The new girl isn't better developed, but she starts off on a good, likable foot. She's a marine who's killed in action, and once she wakes up, the confused reaction and mistrust from her unit is the most compelling slice of story the film has to offer. I wish they'd focused the story down to her.

Instead they fight nonthreatening or uncommitted bad guys (or their red-shirt henchmen with laughably bad training) until the plot is resolved because enough people have been killed to render it inert. And the new group goes off again, to do their thing of exotic locations and extreme, daring, dangerous missions for the good of mankind. Wouldn't that have been nice to see. Clearly a sequel is desired. But now we've been disappointed and bored out of wanting one.

Upcoming Movie Roundup - July

Well I'm 10 days late with this post, but hey -- better late than never, right? I think I need these posts to stay sane, even though I'm scraping the bottom of the (nearly empty) movie barrel.

Last month I was convinced to not pay $20 to rent The King of Staten Island, so now I'm waiting for the rental fee to cheapen. I did see Eurovision: The story of Fire Saga! And it was better than I expected! A bit too much unfunny slapstick style comedy for my taste but it wasn't unbearable, and in between there was genuine charm and good music. At this point I probably won't review it, even though I should. Eh. Oh well.

I did catch up a bit with The Invisible Man -- it was cool, though not as great as I was promised. (review)

I'm currently in the middle of Dark on Netflix, and it is as expected so far. The same show in all the particulars, but not on the same level as that stunning first season.

July has... not much going for it, surprise surprise. I was really hoping to be gearing up for TENET at this point. But here's what I'll be settling for instead:

The Old guard

On Netflix July 10

I'm not holding onto hope that this will be very high on the quality scale, but it looks high enough on the fun scale to give it a go! Based on a graphic novel... fantasy and "real world"... immortality... sounds better than Bloodshot already! Starring Charlize Theron, with Matthias Schoenaerts, and Chiwetel Ejiofor as the baddie, it seems.

Palm Springs

On Hulu July 10th

This one was on my to-watch list even before COVID happened. I was on board based on premise alone, that it was a com-rom with some kind of scifi twist, starring Andy Samberg who I think is pretty funny. But I actually watched the trailer just now and now and even more on board because wow do I like a good Groundhog Day concept! And the idea of two characters experiencing the repeating days together is a new, fun twist to add.

Vivarium

On Amazon Prime July 11th

Interesting concept low-fi scifi movie where a couple looking for a house to buy stumbles into the wrong neighborhood -- which they literally cannot find their way out of. Starring Imogen Poots and Jesse Eisenberg. The style is very Stepford with a modern arthouse edge, and the premise has my curiosity piqued.

Cursed

TV series on Netflix July 17th

Ehh, I was interesting at the idea of a medieval fantasy series on Netflix, but watching the trailer makes it look like there isn't much meat to dig into. I dunno, I might give it a chance.

The Kissing Booth 2

On Netflix July 24th

All but guaranteed to be worse than the already spectacularly bad original -- but what it Netflix for if not to watch awful teen rom-coms while the world stands still in the middle of summer? A waste of time? Absolutely. But what else am I going to do with the surplus? Lol, I hate that I know I'm going to hate this and am still planning to watch it.

The Umbrella Academy - Season 2

TV series on Netflix July 31st

The first season was good. I will continue watching it until it isn't good anymore. Basically these adopted siblings with quirky superpowers stop the apocalypse from happening in various different ways every season. It's a hoot!

Doctor Strange

Spoilers are marked.

Marvel's latest origin film stars the unstoppable Benedict Cumberbatch as Doctor Stephen Strange, a highly skilled, highly sought-after, highly rich and highly pompous neurosurgeon. On top of his game and on top of the world, Strange's great life is obliterated in a single devastating moment. And while on a desperate journey to find healing, he finds so much more when he finds a mystic known as the Ancient One (Tilda Swinton) who expands his worldview -- and simultaneously the MCU -- into the vast realm of magic.

And I do mean vast.

Marvel it may be, but Marvel it certainly doesn't feel. Doctor Strange take a giant leap into the unexplored, leaving behind practically everything we know about the universe. It's very much its own movie; just as much as, say, Iron Man was, only Iron Man had the advantage of no canon to dictate to it. Strange is in such a different place from other Marvel flicks that it was free to do new things and set up its own world, and it takes great advantage of that.

There are three very small references that tie it to the preceding Marvel films, and besides that, my brain was having a hard time accepting it as being from Marvel at all. And I still like Marvel-y Marvel films, but it's great to know that the box can -- and has been -- broken out of. It's only the similar on a very base level in the story; the skeleton of a superhero origin. How it builds on that is, appropriately, all by its own rules.

Ugh, this photo! I never thought I would fall in love with Marvel cinematography in this way...

The first thing I noticed about it was the tone. And not that it's actually darker than other serious superheroes, but at the same time, it is. Literally. The color palette is dark, brown and muted with highlights of neon. The lighting is beautiful and minimal, with lots of silhouetting and scenes that seem barely lit at all, but are done expertly, to create and enhance an edgy darkness. Unexpectedly, handheld cameras are often used, which lends the film some earthy grit; a great counterbalance for the trippy, spacey psychedelics that pop up. The contrast of the shiny, crisp and sparkling magic with the deeply sturdy and grounded feel of the physical world is excellent. I applaud the filmmakers for going in that direction.

Director and co-writer Scott Derrickson is known for horror films, and while there's nothing very scary about Doctor Strange, the style translates very well. (That also accounts for an incredibly decent jump scare in the movie!) Writing is the one place where I wished for more. It's really not a negative because I know there will be more later in sequel films, but for now, the world isn't as explored as it should be. It's not overloaded, which is great, but I did feel slightly pandered to occasionally. I could have handled more, but the film needed to be accessible to even casual fans, and I think it hit the optimal middle ground. And I firmly believe that the film will improve in retrospect, once even more development is added to the characters and their worlds.

Fine actor makes for excellent character!

Segue: Characters! To be perfectly candid, I expected to not really care for Benedict Cumberbatch and his character in this film. Not that I don't like him or think him a bad actor, I had just seen too much of him recently. And I was feeling cynical and thinking he was probably only cast in the part because he looked like the character and was the hot new thing who everyone wants in their movie. But no -- he was excellently cast, and gives a practically mesmerizing performance as Stephen. There's lots of drama to handle, and he never takes it too far over the top where we viewers are unwilling to follow. The character arc is handled expertly; at first he's very reminiscent of Sherlock, which wasn't a great start for me with my cynicism, but that only made his elegant transition into zen and gentlemanly hero even more impressive. Also, he is a master at making his hands shake!

Basically, I liked her because of the two character's relationship.

Rachel McAdams as Christine, his ex and fellow doctor... I'm just not a fan of McAdams, so I can't help but think that almost anyone could have played the part, but she didn't annoy me nearly as bad as she has in other movies. I enjoy her more when she plays dislikeable characters, and Christine splits the line. She's complicated and her role as romantic interest stands on shaky ground, which is interesting. What won me over was the inscription on the watch she gave Stephen, and how much he values it.

Chiwetel Ejiofor. We all know he's great, but I admit I didn't know what his purpose was for a while, plot-wise. I liked his character, but wondered where he was headed. In the moment, it seemed like a negative, but his arc does complete to perfect satisfaction, so that everything about him makes sense. Now I'm eagerly anticipating more from him. On that note, the one thing I think maybe should have been done differently: the end credit scene was important to the closure of his arc -- too important, I think, to be left as the end-credit scene. Though I don't know where it should have gone... just know that I strongly recommend sticking around for it!

Great stuff from these two.

Tilda Swinton I enjoyed immensely! She held my attention so well, and was so fully immersed in her role -- a unique, thought-provoking, and moving character. She was a pleasure. Ejiofor's fellow cast mate from The Martian, Benedict Wong, was there, mostly for comic relief, and handled it splendidly. Mads Mikkelsen as the villain is perhaps slightly on the forgettable side -- another in a long line -- but it was appropriate that he just serve his purpose and then disappear; his villainy came before Stephen entered the life, and the story is told from Stephen's eyes. And Mikkelsen's performance was good and convincing. It worked.

The vagueness and mystery worked for him.

Like with the colors (dark, highlighted with neon) and the tone, (earthy, highlighted with dazzling psychedelics) this movie's comedy is an occasional extreme highlight; it's silly. And this is something that I honestly don't know what to think about. On one hand, it's a little jarring when the movie is so beautiful and muted and serious, and then all of a sudden has cute comic relief out from left field. On the other, it's not like it was shoehorned in; the story almost required it in some places. And it was genuinely funny. Sometimes a joke would come across so awkwardly, but then another layer would be added that made it funny again. There was also a little subtle humor that I appreciated more initially.

Maybe it's not a hundred percent my cup of tea, but I do think it works. It's odd -- it's Strange! -- but it's right. I may vaguely wonder if the goofy comedy was a self-conscious apology for making such a wacky story take itself so seriously, but deep down I think I understand that if the story had taken itself seriously without those highlights, I wouldn't have been able to be as invested in the seriousness. Instead, every time the silliness pulled me out of the movie's depths, I was even more eager to plunge back in. And it helped me to accept the inherent silliness in the plot. Like the scene on the balcony of the hospital, which was such a beautiful, beautiful scene -- visually and emotionally -- but there was a silliness to it too -- a silliness that by that point I had fully embraced.

This is just crazy.

Two more things that just impressed the stuffing right out of me: (this paragraph gets a little spoilery!) In the climax, I was absolutely flabbergasted and amazed to find that it rode on smarts instead of action! Almost unheard of for Marvel movie, but there you have it. And even more unheard of, collateral damage? Destruction? Zero. Zero! There was no destruction in the end. But it was just as involving -- if not more -- as any superhero flick with destruction. I loved that. I am so impressed and happy at that clever change-up. (End Spoilers)

I started out this review thinking this film was excellent -- technically exceptional, and practically flawless, and not quite my kind of movie. It made me laugh, it made me think, it made me grin gleefully at the screen and feel the heartbreak of its characters alike, but I was sure I wouldn't fall in love with it until after a sequel, like it has been with so many other Marvel films. But, as I wrote about the few flaws they morphed into praiseworthy aspects, and as I wrote about all the little moments I expected to someday treasure, I found myself treasuring them already.

And eager for more magic from Marvel!

This was not a story that I was determined to love because of a certain character or actor or story line that I was biased towards. Doctor Strange is wholly new, and I knew it would need time. It snuck up on me, with its subtly welcoming heart, cool beauty, and jarring highlights of total craziness, and has since sunk right into my heart. I was going to quote the movie and say "Doctor Strange, 'time will tell how much I love you,'" but... it already has.

Upcoming Movie Roundup - November

In October I went to the movies! I saw The Magnificent Seven, which was a nice wrap-up for the summer, and now it's November already and the season of Oscar hopefuls is starting! Lots of movies this month, and lots that look really good! Which ones have your attention?


Doctor Strange
Nov 3rd; PG-13
Benedict Cumberbatch takes his turn as Marvel hero as the Marvel universe officially expands into the realm of magic. I'm expecting good things. This movie doesn't have the kind of hype that surrounds some Marvel films like sequels and team-ups, but I always look forward to the introduction films and what they'll bring to the table that's new. And Doctor Strange more than most seems to be coming from its own place and is (as of yet) unconnected with the rest of Marvel. The trailers look good and promise plenty of weirdness, and Cumberbatch appears to be in fine form as the new hero. He's joined by Tilda Swinton, Chiwetel Ejiofor, Mads Mikkelsen and Rachel McAdams, and positive reviews are already flooding in. I have no doubt this movie will be good; it's just a matter of how good at this point. I hope it'll be spectacular, but even if it isn't, it should certainly be a worthy addition all the same -- and a definite must-see!




Loving
Nov 3rd; PG-13
My favorite director returns again with a second film for 2016! Well, I just said it, so it must be true; Jeff Nichols is my favorite director. So far he's been batting a thousand, with four beautifully brilliant and strikingly different films under his belt, and everything seems to indicate that Loving will be right at home along with them. It stars Joel Edgerton and Ruth Negga as the historic interracial couple Richard and Mildred Loving who fought the system over their marriage in the 60's. Nichols' staple, Michael Shannon is there also, and Nick Kroll and Marton Csokas. Normally, I have diminished interest in based-on-true-story films, especially if they're straight dramas, so I can see this being my least favorite from Nichols, but even if that's the case, it's still just as likely to be as beautifully and excellently made.




Arrival
Nov 10th; PG-13
Did I just watch a trailer for a political alien movie? At the very least Arrival seems to be exploring the realistic technical aspects of a hypothetical alien contact. Maybe like in the way The Martian did for surviving on a different planet. How would the government react? Who would be brought in to handle things? What kind of obstacles would need to be overcome and how would it be done? And then of course you throw in the question of whether the alien's intentions are good or bad, and you have a pretty neat idea for a movie! And based on the early reviews, they've pulled it off. Amy Adams stars -- who I'm currently feeling "meh" towards, but I know she capable of good things -- along with Jeremy Renner (always a plus) and Forest Whitaker. I'm always down for sci-fi, but I really want this one to be as great as it wants and appears to be.




Fantastic Beasts and Where to Find Them
Nov 17th; PG-13
Okay, I'm not much of a Harry Potter fan. Never read them; watched the films through and enjoyed them. Just so you know where I'm coming from here. This new spin-off does look like fun; set in the same universe, but apparently very separate from Harry's adventures. Eddie Redmayne is being all quirky and odd and is using magic a lot in the trailer which is great, and I like the tone of the trailer too. Mature, like the later Potter films, but also very focused on being fun. I heard it's the beginning of a new Potter-World series, and I just hope it doesn't turn into eight more movies. The idea of investing in a whole new string of films isn't appealing to me at my level of interest, but if this movie delivers and can stand on it's own, I'd be happy to watch it!




Manchester by the Sea
Nov 17th (limited); R
I don't have much to say about this one. It's rating will keep me out of the theaters for it even if I were that interested anyway. But I just really love all that all the critically acclaimed film are coming out now, and the critics are gushing over this one. So I thought the trailer was worth sharing.




Nocturnal Animals
Nov 17th (limited); R
Now this is the kind of character I'd really love to see Amy Adams play. Dark, and possibly sinister. And man, this film has a cast! There's also Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson, Isla Fisher (Amy's look-alike!), Armie Hammer, and Laura Linney! The movie will probably have to be cut before I'll watch it, but it looks like my kind of film. Moody, mysterious and noir-ish. It's based on a book, so I'll have to look into that too.




Bleed For This
Nov 17th; R
Miles Teller bulks up to star in this based-on-a-true-story sports drama as a boxer who works through a devastating injury from a car crash to be able to fight again. Aaron Eckhart costars as his trainer. Sports movies aren't typically my things, but fighting sports do have an edge over other kinds. I would probably be very interested in this if it weren't for the rating, and how it comes through in the trailer -- that is, unnecessarily. These are the earmarks of a movie that is only decent, because not enough effort and devotion was put into making it great.




The Take (Bastille Day)
Nov 17th (limited); R
Idris Elba. Richard Madden. British action movie. Enough said, I think! This doesn't look like a huge caliber action film or anything, but it's the sort of movie that I'd want to watch no matter how bad it is and then live with the regret if I must. Another iffy rating, but I'll be keeping an eye out.




Rules Don't Apply
Nov 22nd; PG-13
I liked Alden Ehrenreich in Hail, Caesar! so much that I might be interested in this movie even if he wasn't the new Han Solo, but honestly this movie's plot looks like garbage. As another pilot of the Millennium Falcon would say. Here he co-stars with Lily Collins while she plays a aspiring actress in 1950's Hollywood. Romance and drama ensues.




Lion
Nov 24th (limited); NR
Probably won't be able to make it to the level of Slumdog Millionaire, which it will probably be compared to considering the drama and Dev Patel in the lead, but it sure is an interesting original idea for a story! An Indian boy lost as a kid is adopted by an Australian couple, and 25 years later, he sets out on the nearly impossible task of finding his home and family again.

Z for Zachariah

Spoiler-free.

In this sparse and rural post-apocalyptic film, Ann (Margot Robbie) is a young woman living by herself on a farm with her dog. The farm is in a pocket of clean air surrounded by toxic radioactive air. She may be the last woman on earth -- but she isn't the last person on earth. John, (Chiwetel Ejiofor) a scientist stumbles onto her land, and the two soon settle into a life there, planning improvements and thinking long-term. Really long-term. But then another man (Chris Pine) shows up, throwing a wrench in their comfortably forming plans.

The whole, entire cast of this film.

There are two reasons why I got around to seeing this smaller, low-key film: One, the cast. A small cast numbers wise, but a big one name-wise. And two, the fact that it was a sci-fi, dystopian, post-apocalyptic type movie. On this front came the first wave of disappointment. This is a sci-fi film technically because it takes place after a fictional nuclear war, but that doesn't result in any sci-fi effects. It is the result of sci-fi effects. The most sci-fi thing that happens is people walking around in hazmat suits. Otherwise it's just some country people roughing it on a farm in the mountains. That's not a bad thing in itself -- it just didn't dig deep enough into its genre to satisfy me.

Really, it's a straight-up drama with a plot that is enabled by science fiction. And on that side, it was interesting for a while. It has some complex characters that worked well against each other to create drama, and their interactions posed some interesting -- if not particularly deep or important -- questions. The cast did a good job with their characters, keeping them involving, and through them the story as well. Eventually though, as they do, the film had to end. And that's where everything fell apart.

Apparently it was based on a novel. I wonder how accurate the adaptation is. (I looked it up. Not very. But I get what they were going for with the film better now. Doesn't change my opinion though!)

They had introduced a bunch of problems needed resolution, and a good amount of character drama with potential. The most interesting was the love-triangle, and the unique relationships between each of them as the two men vie for the attentions of the last girl on earth. The characters are so evenly done that I didn't have a guess as to who she would choose, nor a real preference. I was very interested to see where that would lead. Unfortunately, it led to a jumbled, non-committal ending. And not on any of the character's part -- this was all the film. The movie spent so much time exploring the slow journey of the characters and the details of their reactions to plot events, yet it's like it couldn't commit when it came to deciding where all that would lead to in finality. It just dropped everything and quit.

It was like everything stopped at the second act just when things were really getting interesting. I suppose there could be some people who see some kind of point or meaning or social commentary or whatnot, but I didn't, and it didn't leave me curious enough to try and find one.

The cast by themselves were good. Margot Robbie was the standout, and Ejiofor and Pine had some occasional ups and downs but they all were quite commendable and enjoyable. The thing I really can't figure out is why they wanted to do this film in the first place. I don't understand what attracted them to this project at all. And since it felt like the movie resolved nothing at all and ended before getting to the good stuff, they and their talent felt like a total waste in the end.

They never explain the title either.

The location and setting was nice, and the look of everything was probably the film's most memorable aspect. Though, there was an unnatural quality to it that made it a little hard on the eyes. Too much contrast or something. I did like the purple tone.

So, this film wasn't a total waste, though it might as well have been, considering how everything it had going for it for so long was left in the dust as this small-scale apocalypse tale breezed on toward promising conflict and resolution without us. Maybe the camera ran out of battery.

The Martian

Mild Spoilers.

Six astronauts are sent to Mars for the Ares 3 mission -- Melissa Lewis (Jessica Chastain), Alex Vogel (Aksel Hennie) Chris Beck (Sebastian Stan), Rick Martinez (Michael Peña), Beth Johanssen (Kate Mara) and Mark Watney (Matt Damon). Their mission on Mars was supposed to last 31 sols (Mars days), but on the 18th sol, a huge storm blows in, forcing them to abort their mission. During their escape, they lose one of their men; the lowest ranking, the botanist, Mark Watney.

In any other space movie, this would just be the first casualty of probably many (with six people, you have plenty to spare) but this cheeky lighthearted botanist doesn't get the memo: he wakes up on Mars, alone, with an antennae stuck in his gut, and decides that he's going to live. On Mars. With limited food. In a Hab meant to last 31 days. For 4 years. Until the next Ares mission will come, and he can hitch a ride home. How? Science.

The coolest interplanetary scientist on the planet.

Okay, I just have to say one thing before I can fully concentrate on this movie: The book was better. And once you finish reading this review you'll know that I say that only to emphasize how remarkably, incredibly amazing the book is, not to say that this movie is in any way lacking. Because it's not. Anyway, with books, you can't include an awesome soundtrack!

This story's greatness comes mainly from its stranded hero, Mark Watney. In spite of his nearly hopeless situation, he stays optimistic, and works determinedly to solve the daunting problems in his way with a cheerful attitude. This creates a lot more humor than one would really expect out of a space survival movie, and Matt Damon is the ideal person to play this endearing every-man and unconventional hero. The ability to become a person who can crack a joke while losing a staring contest with death isn't really definable by what one would normally call "talent" -- it's a quality that you either have, or you don't. Well, Matt has it.

He's the same from beginning to end, never going through a "heroic journey" or any character change at all. It's unusual. I love it.

Damon fills the personality of the lonely Martian comic perfectly, and then puts his talented efforts into portraying the serious and intense drama realistically. Charm isn't something that Damon's characters ever really lack, so it's no surprise Watney has that, but the level of vulnerability we see in him is less expected. If you don't absolutely adore this character after the first 30 minutes, you have a heart of stone. Rooting for a hero with complete abandon has never been so effortless and inviting.
 
He may be the lone man on Mars, but he is certainly not alone in the movie. The rest of the crew mentioned above all have their part and do their share. Particularly outstanding is Chastain as the ship's commander. She gives a deep and elegant performance. I also just really love Michael Peña. He always keeps thing up-beat and interesting. I wished to see more of Stan's doctor Beck, but when you're the strong and silent type, that just how it goes. Hennie's German scientist keeps up with the bigger names easily, and Mara hits the mark for the geeky and kinda weird cute girl.

You're awesome, you're awesome... you're ALL awesome!! Sadly Michael Peña is absent in this photo. Michael, you're awesome.

On Earth we have another cast, and another story line, as NASA does their part to bring Watney home alive as well. There, we have Jeff Daniels as the head of NASA, Chiwetel Ejiofor as the head of the Mars missions, Sean Bean as the Ares flight director, Kristen Wiig as NASA's media relations, plus Donald Glover, and Mackenzie Davis. These guys almost split their screen time with Damon, and while none of them come close to having the captivating charm of his Watney, they all do a great and commendable job. Standouts here are Ejiofor, who comes across effortlessly, and controls the screen while he's on it, and Glover who's just... unexpected.

And you, sir, are a steely-eyed missile man.

Fact: space movies are better with a soundtrack from the 70's. This movie uses that knowledge to full advantage, by including several musical working-montages, that are, to be perfectly blunt, epic. This really is the one thing the movie could do that the book couldn't, and it was beautiful, and sometimes very funny, and beautiful. In fact this whole story is a balance of beautiful and funny. The comedy comes too often and is way too unique and funny to be classified as just comic relief, and in the hands of Ridley Scott, the look of the film is consistently breathtakingly gorgeous, and beautifully foreboding. It gets every bit as edge-of-your-seat intense and despairingly emotional as you'd expect from such a hardcore survival adventure, but remembers to give us plenty of relief too -- via wit and fun and grandeur and many glorious moments of triumph against the odds.

Starman, waiting in the sky....

Adaption-wise, there was a lot that was word-for-word the same, and there were some changes; some that I expected and some that I didn't. But, the reason why I love this story so wholeheartedly is not because of the events that take place, and in the end, even the few bigger changes made no real difference because the heart of the film stayed exactly the same. This story focuses on sincerely connecting with its audience, giving us a straightforward story full of simple truths and raw honesty, instead of coolly trying to impress us with cheap, contrived, and empty parlor tricks.

I was wowed by the visual feats and impressed by the practiced, involving film-making. I had tons of fun listening to the musical montages and Watney make sarcastic quips with all that Matt Damon charm. And the fact that most of the film is scientifically viable is endlessly impressive. Those things all make a good, enjoyable movie, but this achieved greater heights than that. I don't abandon my cynicism and reserve while watching movies lightly, but here I willingly fell head over heels, because I found something that was worthy of investing my cares in. A genuine, everyday, unlikely fictional hero set in a story that is designed to sincerely engage and inspire us through him.

The all natural, organic, Martian-grown potato farmer.

The Martian resonates because of a striking harmony of simple, but powerful details. Mark Watney is a good guy, put into a near-impossible situation. Totally alone, he scrapes and fights with an uncrushable spirit. He may feel it, but he's not truly alone; on Earth, complete strangers pitch in valuable time and resources to his desperate cause. And Watney's crew all happily risk their lives for him. The fact that this story is technically science fiction, set on Mars, using real science theoretically in order to create a realistic backdrop, is just that; a really, really, really neat and fantastic backdrop. The core of the story itself as real as it gets; affirming the inexhaustible value and wonder of human life.

On Mars. To the tune of David Bowie. And ABBA. With science!

Upcoming Movie Roundup - October

Last month went as expected, with a trip to the theater to see The Scorch Trials, which I thoroughly, thoroughly enjoyed, and Before We Go from the comfort of the TV room sofa. October has one huge must-see that I've been waiting for rather desperately for the past two weeks or so, and a couple promising others that may be a good DVD watch sometime. But first things, first...


The Martian
Oct 2nd: PG-13
So much yes. So much. I'm really surprised at myself for how incredibly excited I am for this movie. It's the first movie whose anticipation has actually made me forget about Star Wars 7. Even Rogue Nation only made me temporarily forget after I'd seen it. I wrote a whole post about my high anticipation and expectation levels that you can read here -- but here's the short version: Matt Damon is Mark Watney, an Ares astronaut, who, through an unfortunate series of events is stranded alone on Mars without his crew (Jessica Chastain, Michael Pena, Sebastian Stan, Kate Mara, and Aksel Hennie), without communication, and with food and supplies meant only to last 31 days; he must use his smarts (and real science) to survive. The cast also includes Chiwetel Ejiofor, Sean Bean, and Kristen Wiig. The book was brilliantly smart and thrilling, and the Ridley Scott film promises to be faithful adaptation, and a compelling science-fiction-meets-science-fact adventure. Can. Not. Wait.




Pan
Oct 9th: PG
It looks like a cute, fun, adventurous remake of Peter Pan, and the origin story gives good opportunity to get creative with the story as well. Early reviews coming in are not nearly as positive as I would like, and are turning me off from wanting to see it in theaters, but they're not quite bad enough to keep me from wanting to see it altogether. I just have to see Hugh Jackman being the film's villain Blackbeard, and Garrett Hedlund as the young, not-yet-Captain Hook -- minus the hook (we'll for how long!) I guess I just won't expect too much out of it.




Crimson Peak
Oct 16th: R
If I watched horror movies. I don't, (certainly not this kind) and don't think I could -- even for Tom Hiddleston and Jessica Chastain and Mia Wasikowska -- but this one looks like a real quality horror movie, which is the only kind that ever tempts me in the slightest. And it has such an elegant, beautiful style... but then is so disturbingly creepy. If I watched horror movies... Here's the trailer, but don't watch it -- cause it's scary. :P




Goosebumps
Oct 16th; PG
Okay, I never read any of these books as a kid (perhaps that had something to do with my aversion to horror movies now?) so I don't have any sentimental attachment to this movie, but for some reason I still have a nice, mild interest in this. Of course it looks totally silly and cheesy, but sometimes when it's done right those things can make a movie really fun to just enjoy and laugh at and not really think about. And you need a movie like that every once in a while. Jack Black and Dylan Minnette star.




Bridge of Spies
Oct 16th: PG-13
Steven Spielberg's Cold War drama starring Tom Hanks. So the chances of this being a well-made film are pretty much %100. And well-acted. And well-scored. And dramatic. So this one's really a no-brainer, but I don't currently have any real interest. I love Spielberg's movies, and period dramas are great, and Tom Hanks promises to be as great as ever, but I'm just not too excited about this being more of a political drama war-movie, instead of an more action-centered war-movie. The trailer does show some bits of action, but nothing really big. So I'll just have to wait and see if it really is a straight drama, and if it is, just wait until a war drama is what I want to see!




Suffragette 
Oct 23rd(limited); PG-13
Okay, so this movie looks well-made and everything, plus it has a great cast including Carey Mulligan, Meryl Streep, and Helena Bonham Carter, but honestly, it looks like it's absolutely nothing more than propaganda for extreme modern feminism, and that just completely ruins it for me.




Burnt
Oct 23rd(limited); NR
A Bradley Cooper chef movie! This one has quite the supporting cast too -- Sienna Miller, Alicia Vikander, Lily James, Emma Thompson, Daniel Bruhl... It says it's a dramedy, but from the trailer it looks more like pure drama. Still, it's about cooking, and stars Bradly Cooper. It's one of those "wait and see" cases I suppose.



What are your movie plans for this fall month? Tell me in the comments!