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Showing posts with label Neal McDonough. Show all posts
Showing posts with label Neal McDonough. Show all posts

Thursday, May 12, 2016

Captain America: The First Avenger

Seeing Civil War in the theater sparked another re-watch of Steve's first adventure The First Avenger, and I figured it was about time I gave it a review. My opinion of it has shifted slowly over the past 5 years, as with each viewing my perspective was slightly different because of the films that came after it, but it has always been essentially the same -- a really quite good movie.

The Star-Spangled Man with a Plan!

Steve Rogers () is the biggest Boy Scout character maybe ever -- certainly in the MCU -- and as such it's difficult to give his character conflict. Because he knows what's right and does it, it's hard to find a tight spot to put him in that would create a compelling story. His origin story deals with that problem in a way no later movie could. Instead of it being about how he fights for truth and liberty and how he helps people, this movie focuses on his struggle to get to a place where he is actually capable of doing those "Captain America" things.

We know that his heart always is and always will be in the right place, and The First Avenger proves that. As a skinny sickly kid he determinedly stands up to bullies to the point where he seems almost insane to do it, and relentlessly tries to make it into the army. I guess he knows what his heart is capable of. And fortunately so does Dr. Erskine () who sees his spirit and his goodness and gives him a chance. To the raised eyebrows of Colonel Phillips () and Agent Peggy Carter () he is chosen to be the first test subject for a serum that turns people into super-soldiers.

"There are men laying down their lives. I got no right to do any less than them."

Stanley Tucci is always a lightening aspect in any movie, and here he's delightful. As soon as Steve gets a body with strength to match his heart and soul though, Erskine is killed and the serum stolen by ! (This movie has so many great "hey, it's that person!" bit-parts. It's fantastic.) I love the proceeding chase scene. Suddenly Steve is who he was always supposed to be, and he immediately uses his new-found physical strength to do good. The scene action-wise is sometimes quite silly and no one had figured out Cap's fighting style yet, so it's missing the visual "oomph" it could have had, but I still love it.

The whole movie's production is often distractingly cheap in fact. Obviously there wasn't enough confidence in it to warrant the kind of budget a Marvel movie gets today. Green screens are obvious, fighting and stunts are cheesy and fake, and I remember the 3D as the worst I've seen. But, like Cap, this movie has its heart in the right place. It dwindles on the action and visuals side, but focuses admirably on character.

Not a perfect soldier, but a good man.

I didn't fall in love with Chris Evans' Cap until The Winter Soldier, but he's always done the part nearly flawlessly, and he hit on it so well with this first try. He's so convincingly kind and endearing and you can't help but feel so sad for him at times (when he's stuck selling bonds and drawing himself as a dancing monkey springs to mind) but he still exudes strength and bravery and is the kind of person you'd be afraid of if you were a bad guy. as the bad guy hams it up more than he should have, by the way. The movie has a strong comic book tone to it, but it's halfway in a way that fits with the later films, and halfway not.

Bucky, () I didn't fall in love with until Civil War. When I first saw this movie I barely noticed him. He was a sounding board for Steve's early conflict, then he blended into the Howling Commandos, and his "death" completely convinced me. How things have changed. Now, the sounding board is the beginning of a very complex character. The two have a great friendship, and it's interesting to watch how it changes from Bucky trying to protect Steve from himself and from war, to becoming the one who needs to be protected, yet he doesn't hesitate to follow Steve, and never resents him. Stan has the "strong silent type" down pat but is also light and charming at the proper times. The bit where he tries to hit on Peggy and she doesn't even look at him is hilarious.

"I thought you were dead." "I thought you were smaller."

And even after Peggy got her own TV show, her character doesn't get any better than it is here. Strong and confident, and warm and lovely this Peggy knows her worth and doesn't care one bit if no one else does. I always liked 's Howard Stark too -- one hundred percent rogue swagger and charm. Tommy Lee Jones is often the funniest bits of the movie while he helps the plot move along. And even though they're small parts, all the Howling Commandos are good, and I especially like that and are a part of the group.

The one thing that has always bothered me the most about his film is how contrived and ambiguous the plane crash at the end was. I've tried to figure it out, but it seems like they just couldn't think of a hole-proof way of forcing Cap to make that choice and crash the plane, so they tried to cover it up by not explaining exactly why it was necessary to crash. It had to happen so it had to happen, but that always dampened the impact of that emotional moment for me.

Interestingly, the sweeter part of their romance is when they are apart.

The First Avenger is far from being a flawless movie, and most of its flaws are right on the surface for all to see, but with each viewing the characters become more and more endearing and deep, and show no sign of becoming obsolete as Marvel films continue to grow on the solid foundation they helped set. This early, light-and-breezy Marvel flick is a sincere and fitting origin for the most noble and patriotic of superheroes.

Thursday, February 5, 2015

Marvel's Agent Carter: The Iron Ceiling

Mild Spoilers.

The plot thickens and Peggy Carter is reunited with her WWII buddies, the Howling Commandos!

If the last four episodes were enough to establish a formula for this show, then this episode broke out of it, making for an unusual and memorable, but not necessarily better-then-the-others episode.

First of all, it's quite different because our awesome heroine Peggy (Hayley Atwell) and her awesome sidekick Jarvis (James D'Arcy) are not on such good terms as they were before. The buddy-buddy banter is gone. Peggy is angry at Jarvis -- along with that scoundrel Howard Stark -- because he did his duty for his employer and didn't tell Peggy the whole truth. I was worried that once Peggy stopped working for Howard that Jarvis would disappear too, but I was happily wrong; although he's not in the show nearly as much as he has been, he still gets included, and is promised more for later.

I'm so glad the writers knew how fantastic a character Jarvis is. Doesn't Peggy look lonely without him?

And then they really went all-out with the formula-busting, and had Peggy up her game in the office wars. (I suppose it's a lot easier when you're not trying to sneak around behind all your co-workers with your own noble agenda.) After showing off her skills as a cryptographer, Peggy fights hard for a chance to go to Russia on a mission under Agent Thompson (Chad Michael Murray) (who doesn't want her to come, obviously) for no other apparent reason than that she really wants to. Fortunately, she's friends with a fellow named "Dum-Dum Dugan" who has a magnificent ginger mustache, and wears a bowler hat. She gets him and his group into the party, and he returns the favor.

The highlight of this episode was the guest appearance of Neal McDonough as Dugan, and the rest of the Howling Commandos, or the 107th regiment. McDonough's Dugan was the only character to actually have been in Captain America: The First Avenger, but who really cares? The other three guys had cute nicknames and joked around comfortably with Peggy (everyone loves Peggy) and they fit right in.

There's Pinky Pinkerton, Dum-Dum Dugan, and Happy Sam Sawyer.

The most shockingly out-of-formula things happen on the mission though; it just keeps getting better and better! First, Agent Thompson gets some actual, real, serious character development, and I was impressed. I was also impressed by his ability to receive the character development and not have it hinder his remarkable brooding abilities. Then, when the mission hits a kink (which of course it does!) Peggy steps up and proves herself to Thompson, and, he acknowledges it! He admits it for all the world to hear! Well; to Peggy at least -- and that's enough for her. She's not one to hold a grudge and graciously makes him look good in front of the chief later as well.

Peggy's so cool. And so is that hat. And that mustache. And the dude who's wearing them. This picture's just all kinds of cool.

The one part of the formula the definitely stayed though, was the setting up for the next episode stuff. That's what Agent Sousa (Enver Gjokaj) was still up to. He finally makes some headway in that department, and next week promises some good stuff for him, some good stuff for Peggy and, well, some bad stuff for Peggy too, but, you know, bad in a good way.

As usual, I'm excited to see where "Miss Union Jack" is going to lead us next.

Previous Agent Carter reviews:
Episodes 1 and 2
Episode 3
Episode 4