Friday, November 17, 2017

Justice League

Spoilers!

It's sad that this movie feels like a small fry in comparison to Batman v Superman. It's a bit anti-climactic after most of the Justice League's members have already teamed up and fought something so powerful that it managed to kill Superman. How do you top that?

Answer: You don't. Not like this you don't. And topping BvS isn't even a high goal.

Well, you have to bring Supes () back to life. But casually sideline him because he's still OP. And you gotta find another super-powerful villain to challenge them. Then threaten the end of the world, cause that always ups the stakes. So CGI villain Steppenwolf () arrives, cued by the death of Superman, to destroy and conquer the Earth. Batman () and Wonder Woman (), aware of the coming invasion, collect The Flash () Aquaman () and Cyborg () to fight him. The characters aren't bad, and the plot is cliched but not bad, but it's put together as if by random; everyone going through the motions; no soul, no power, no passion. Just... nothing.

Them deciding to use the weird liquid in the Kryptonian ship to bring Superman back to life, like Luthor did to create Doomsday, is the most unexpected and therefore most interesting part of the movie. Which is unusual because it happens in the middle of the movie, where most superhero flicks flounder before getting to the end battle. I honestly expected Superman to show up unprompted and save the day, but they had to decide to restore him, and it took up a good portion of the movie to make happen. Still he's in it very little, and spends too much time with Lois () and yes, his upper lip (where a mustache has been CG-ed out) is distracting.

"So what happened in Justice League, Diana?" "Oh, nothing very interesting."

Superman is likeable once he gets over being woken from his nap, and even gets cheesy a few times. Is this good or bad? Well... yes. Wonder Woman doesn't have her character ruined or anything, but she's nowhere near the height she reached in her solo film. Batman is just Batman. There's nothing particularly good about him, or anything particularly bad. He's just there. Cyborg ended up being the only one to impress and be better than expected; he's equally as well-done as everyone else. Aquaman was somehow both worse and better than I expected. My highest hopes were that Flash would be my favorite, but he was exclusively used for forced comic relief that only tempted me to laugh once. His potential remains, so we'll see about that solo film.

From scene to scene Lois will change from wig to no wig. It's noticeable, and cheap, and honestly I wish she hadn't been in the movie at all. This plus Superman's erased mustache, plus Steppenwolf's appearance as some villain on loan from a video game, are the outward evidence of this film's fundamental problem: Movies this massive, this expensive, and this hyped, should not be anywhere near this small and cheap. I haven't been this underwhelmed since X-Men: Apocalypse promised the apocalypse and delivered nothing but Oscar Isaac disguised in blue silicone. To make this movie was the entire reason the DCEU existed! But now it feels like a casual afterthought to BvS and Wonder Woman.

The most exciting thing about it is the promises of more to come -- but at what point are we going to stop believing them, if more exciting promises is all they ever deliver?

This film spends $300,000,000 delivering nothing, and has nothing to stand on but flat jokes, horrendous CGI, characters that have been better elsewhere, and lackluster stakes. The best I can say for it is that it didn't make me angry. BvS did, but now I'm wondering which is worse. At least BvS tried to do something and made me feel something -- even a bad something. With this, I've never been more disengaged watching a movie in the theater. Justice League, DCEU's Big Event Movie, that's been building up for five years, just did the worst thing it could do, and made a safe landing. We were promised an Earth-shattering kaboom, and all we got was a soft, apologetic thump.

Sunday, November 12, 2017

Murder on the Orient Express

Spoiler-free!

Every so often, the world requires a new version of Agatha Christie's Murder on the Orient Express. Not because no good film adaptation exists, or because there's some new gimmick or development in the world that requires the story to be made anew, but simply because it's what's done. It's a tradition! Perhaps unnecessary, but not at all unwelcome.

Much like this face decoration.

There are two great things about this latest adaptation, and they are both . He takes the helm as lead actor and director, and the only thing that overshadows him even slightly is his glorious mustache. His directing style is so inviting yet grand; elegant yet strong. It fits the era wonderfully, and is an absolute pleasure to watch. Beautiful, but not showy, and he finagles around in the cramped train space gracefully. He directs with easy confidence, and the story is such a classic; it's a sure-fire combination for successful entertainment.

With equal confidence, he takes on the role of "probably the greatest detective in the world" Hercule Poirot; a character heavy with the baggage of many fine performances. But Branagh is more than up to the challenge, and proves the Belgian detective is far from being overdone. I expected to love his direction, but was surprised at how easily I accepted him as Poirot -- mustache and all. He disappears into the quirky, interesting role wonderfully, and is an easy stand-out among the talented and large cast. The character gets more devotion than the mystery itself, and I think that's exactly how it should be.

The rest of the cast produces absolutely no complaints whatsoever!

I'm pretty tired of seeing in movies, but even he pleased me with a nice, subtle and memorable performance. didn't disappoint as a non-Star Wars character. I can't forget because he was very nice. I really liked , and impressed. , , , , and especially were all excellent. I also liked the less-known and , but they were slightly forgotten, along with and . With so many characters it was bound to happen.

The mystery might have been done better. My sister and her husband had recently read the book and mentioned a few left-out details they noticed and missed. I only recalled the basics going in, but everything made perfect sense to me, and I left satisfied. A few additions were also made. Some -- most really -- were uncalled for, but didn't do harm to the story either. Mainly they were meant to add a little action, but I found the plot itself to be exciting and interesting enough on its own. One did create a plot hole, which can be explained away only with some reaching. Overall it's a solid, classically simplified adaptation. 

I really enjoyed those tracking shots -- from inside and outside the train.

In fact the movie as a whole perfectly fits the description of classically simple and solid. Only one thing irked me; the ending that hinted at a sequel of Death on the Nile, and took me out of the moment for a second. There's nothing ground-breaking to see here, but nothing ground-breaking is required. As far as adaptations of this story go, I don't think you can do much better. If you're willing to be left happy, than you almost certainly will be. This is a straight-forward production of excellent quality, and a job well-done.

Saturday, November 4, 2017

Thor: Ragnarok

Spoilers!

It's Thor's third movie, and he breaks out of the mold, traveling to before-unseen worlds, making new friends, and getting a bold haircut. Ragnarok is the Norse apocalypse, and Thor () thinks he's got it all under control, but then the goddess of death, Hela () is unleashed, and overthrows Asgard while Thor is stuck on a forgotten planet with Loki () fighting in gladiator matches with Hulk () for the entertainment of . And, of course, the entertainment of us.

 One thing's for sure: that Led Zeppelin song is the movie's MVP.

This movie sells itself on entertainment, and sells itself BIG. Its success in that area is pretty undeniable, unless you are completely against the kind of entertainment Marvel produces. All the earmarks of Marvel Entertainment are there, and cranked up so high that it sparkles like lightning in Thor's fingers. It's full of dazzling colors and shapes and is filmed with bold visual flair; it runs a mile a minute, always moving with action, or bantering conversation, or cracking a joke. Entertaining, entertaining, entertaining -- for the whole runtime, you barely have an opportunity to stop and wonder why you should care.

That may or may not be by design, but it might as well be, because if the film slowed down enough for you to think to yourself, "Well that was fun, but when will Thor face his demons? How is his relationship with Loki gonna develop? What are the stakes here if Hela wins?" then you might begin to see that there's no meaning to be found among all that razzle-dazzle. The boxes do get ticked, but only on the most base level. Like, Thor does have demons to face in a vague "all seems hopeless" moment -- and learns the exact same lesson that 15-year-old Peter Parker did a few months ago, but with significantly less magnificence than Spidey.

It works best as an action-comedy. But even comedies need some kind of emotional grounding.

And Loki and Thor clash amusingly as Loki is bad then good then bad then good then bad and then good again. (Yes, that's an accurate number of flip-flops.) But their complicated relationship isn't explored so much as it's referenced. "Remember that time you faked your death and took over Asgard? Yeah, that made me mad." When they talk about how Loki being mischievous is just his nature, and Loki looks like he's wondering if it really is, things begin to touch on something deeper, but it goes no further than that. In the end when Thor assumes he's gone bad again and says if he was really there he'd hug him... and then he is there... how about we get to see that hug? Why is this movie so afraid of emotion?

Hela is literally destroying Asgard and killing its citizens, and in the end Thor must let Ragnarok come upon Asgard and destroy it just to defeat her. This is big, serious stuff, but it doesn't feel it. It's done so flippantly. Honestly the movie's best arc was my man 's, who goes from big doofus, to aspiring evil, to moral questioning, to cool and heroic, all as a side character. And then of course his death is careless, though I guess it was meant to be emotional. Hulk is there for the laughs, and the new girl Valkyrie () is cool and tough, but neither get more than the requisite glimpse into the depths they might have reached.

Everything look great! But, everything looks great.

But yeah -- haircut. Hulk the superstar. Jeff Goldblum just being himself. Hela's horn helmet. The wacky trash planet. Director 's overdone cameo as rock-monster guy. And they play Immigrant Song TWICE. Who needs character or themes anyway? Well, I do -- but the fact is, I enjoyed watching this movie. I was ready to be entertained and the film was eager to entertain. But now the entertainment is over and I'm left with no connection to the movie. There's nothing to hold on to. And that kills rewatchability. If I ever watch it again I'll probably sigh at the jokes instead of laugh, and wish for the Shakespearean character drama of the first film, which rises higher in my esteem with each new installment.

Enjoy the spectacle, but don't look for a heart among the spectacular chaos; you won't find one. On the surface, Ragnarok is as toned and muscled as its title hero. Underneath, it's actually as bare-boned as the slack-jawed skeleton that's hanging out with him at the beginning. There's a certain charm to being duped with so much careless glee, but the spell can only last so long.

Wednesday, November 1, 2017

Upcoming Movie Roundup - November

No surprise I didn't go to the theater in October. However, I did watch/have been watching the TV shows I mentioned. The Gifted turned out to be disappointing even with my mild expectations, and drags terribly and yes, has lots of meaningless drama. Dirk Gently's Holistic Detective Agency got off to a bit of a rough start by not nailing the opening episode like Season 1 did, but it's still plenty enjoyable and I look forward to watching the episodes. Stranger Things broke my heart. There's fan-service everywhere and what remnants there are the are like Season 1 feels disingenuous. The first five episodes could have been two, and the show picks up significantly at Chapter 6, when the plot really gets started, but there's other problems that hold it back even then. I haven't written a review for it yet but I need to, hopefully soon so I can stop being sad and wondering what went wrong.

This month there is a must-see, because for some reason I still watch every single Marvel release in theaters. Although I'd see this one anyway! I wouldn't be surprised if I saw two or three of these movies this month, but I guess we'll see. What looks good to you?


Thor: Ragnarok
Nov 3rd; PG-13
This one's practically out already and already has loads of pleased reviews from critics and fans. So I have no doubt it's a good Marvel movie. That in itself doesn't mean much to me, since I've disliked plenty of "good" Marvel movies, but -- I do have high hopes for this one. I like the style of the director Taika Waititi and think his sense of humor would work excellently with Thor. And the trailer was just brimming with galactic style -- and Led Zeppelin, which is a great sign if you ask me! Looks like Thor has finally gotten a movie worthy of him! Cate Blanchett looks awesome as the villain, and I'm happy to see Loki back again, and there's also Karl Urban and Jeff Goldblum. And Hulk of course. Time to Ragnarok and roll!




Battlecreek
Nov 3rd(limited); NR
This month in "movies I want to see because a certain actor is in them." This time featuring -- Bill Skarsgård! Ever since IT came out I've been on the hunt for more movies starring him, where he doesn't wear clown makeup the whole time, and ideally doesn't terrorize children either. This looks like a nice option: A southern romantic drama, that looks like it has just enough of an edge to make it interesting.




Murder on the Orient Express
Nov 10th; PG-13
Well I've already seen a film adaptation of this, so I know who-done-it, but I'll always be up for another version, especially a bigger-budgeted one, with big-name stars. Kenneth Branagh I seriously doubt will be able to match David Suchet's Poirot (even with that incredible mustache); him directing is the real exciting bit, since I love his style. He just seems to fit with Agatha Christie. (I wish he'd do a take on And Then There Were None, but I digress.) Practically everyone else in the movie is a recognizable name, but I'm most excited to see Daisy Ridley do something other than Star Wars. Hopefully this will be one to remember! (I should read the book before it comes out...)




Three Billboards Outside Ebbing, Missouri
Nov 10th; R
This is a nice, strange one. Black comedy, extreme violence, Frances McDormand. She always seems to absolutely fantastic, but this looks like the kind of plot that she'd really, really shine in. Also, Sam Rockwell. always a winner. This movie looks quite good actually. Not the the kind I'd necessarily go to the theater for, but I'd like to see it at some point.




Justice League
Nov 17th; PG-13
So I guess Superman's gonna wait til the end of the movie to return, because when you have Superman why do you need anyone else, right? I'm sorry, but I'm done with this. Wonder Woman and her movie was great, but I doubt she can save this movie, and I'm so done. It looks exactly the same and BvS, and I'm just done. (They're copying Stranger Things by playing a moody version of Heroes, and that's hilarious and I'm done.) I won't even be surprised if I end up going to see it because of how big it is, but if I do it will be with rolling eyes, because I'm done. And the review will likely be extremely cynical, because I am just plain done. I'm done.




Revolt
Nov 17th(limited); R
This month in "small budget scifi films I want to see because I'm a scifi junkie" -- featuring Lee Pace in this scifi actioner. If I had to venture a guess, it's gonna be very typical plot-wise, but it doesn't have the worst special effects, and Lee Pace is a nice plus too. I'm beginning to wonder when I'll actually get to see all these indie scifi's I've been finding. I guess that's why it's good I list them here, so I won't forget about them!




Coco
Nov 22nd; PG
"Oh yeah, Pixar is releasing a movie this year." Remember when the Pixar releases were the biggest events of the year? Did that change just because I have a grown up taste in movies now, or has Pixar really slid down that far? Ever since Brave in 2012 every new Pixar flick I've either not seen or been disappointed with. I'm not gonna write this one off of course, but there's not any excitement either. I haven't seen The Book of Life, which is what it's drawing comparisons to, so to me it's like the Spanish version of Corpse Bride meets Kubo and the Two Strings, which is interesting enough, but also kinda makes me wish it was a stop-motion animation. I like those. Anyway, I've rambled for long enough. Keeping on eye on this one.




The Man Who Invented Christmas
Nov 22nd; PG
Granted, it's not exactly a movie anyone was asking for, but it may turn out to be one we need anyway. Dan Steven's as crazy Charles Dickens? Grumpy Christopher Plummer as Scrooge? Not bad at all. Looks fun, family friendly, and about as energetic as a movie about writing can be! I should definitely read A Christmas Carol before I see this. Anything less would just be disrespectful!




Monday, October 2, 2017

Allegiant

The story drags itself onward, but doesn't quite reach the end with this third installment to the Divergent movie series. The biggest surprise for me is how this film is actually better than Insurgent in many ways. It's worse in some ways too, but I thought it would be all terrible.

Um. Did Tris just become Jeanine??? She looks exactly like her, and is about as relevant as her too -- and Jeanine is dead.

I actually gave a positive review to Insurgent after seeing it in theaters, and then promptly forgot it existed, which made me rethink that score. Insurgent somehow did a better job assimilating the appearance a decent quality movie while showing us nothing interesting or memorable. Maybe it reminds us of Divergent, which, whatever its flaws, was at least entertaining and a clean, straightforward adaptation of its source material.

But Allegiant strays even further from both the source, and the story's original starting place. It does away with the Factions -- the highlight of interest for the series -- and starts feeding us things about "pure" and "damaged" like that's what the story had been about the whole time. Then it takes us out of the dystopian walls of the crumbled Chicago into an otherworldly orange and red landscape and shiny floating futuristic cities. The only thing that connects this film with Divergent is that middle movie, which I've seen twice now and I still can't remember what the actual heck happened in that film.

The movie started with the same group on the run who were on the run at the beginning of Insurgent. With a handful changes they could have skipped that movie altogether!

In that way Allegiant feels even less like a Divergent Series movie, but in straying so far away, it stumbled on something that the last movie lacked in spades: memorability. A handful of things stick out as memorable, and, granted, some are not positive, but giving the movie some unique points made it more enjoyable than expected -- in spite of decidedly worse scripting and acting, and a random plot that goes nowhere. Of course I said Insurgent was memorable too at some point, so maybe a couple days from now I'll have forgotten about this one too. Here are a few reasons why I think I'll remember:

Bad special effects. With recalling the striking red landscape outside the wall comes the image of our heroes (and anti-hero Peter!) floating around in those transport bubbles. That was hilariously, awfully, painfully bad. The futuristic city had cool design elements to it, but most of the time when it was being shown along with characters, green screens and CGI was obvious and cheap. It was weird, like a cool scifi world had been created somewhere, and then all the characters from Divergent jumped over from a different universe and began to populate it, but don't fit there because they're worn out and dry. That feeling was enhanced by the city residents knowing who they are -- like they were movie characters brought into reality.

This is concept art. Someone obviously worked hard to make this place different and interesting. Then they tried to populate it with dead characters for cheap.

And like they would in reality, these characters begin to crumble in front of their new backdrop. Like in the book, Tris' character fades away, while Four finds himself the main character in every actually compelling scene. Hardly anyone is trying at this point, but isn't even pretending. She stares, she delivers her lines, and she's forgotten. manages to keep whatever interest he had from before, and could have carried the whole film decently on his own if he had been allowed, but half the movie still focused on stale Tris. Poor yet again makes the most of what he has, and all I can say is congrats dude on surviving these movies with your career intact. I can hardly believe how bad is, especially after being so enjoyable and capable in Baby Driver. Every scene Caleb is in is physically painful to watch.

I'm glad I waited until after I saw IT to watch this though, because is in this, and he amused me to no end by making subtle faces in the background that reminded me of Pennywise. And maybe I only noticed because I was paying attention to him, but his character Matthew was a decently interesting character. I know he was in the book, but I swear I don't remember a thing he did, so the mystery of whether he was good or bad worked on me. Plus the bit he's a part of where Four tells him to tell David () that Four left him behind so that Tris would know he was lying and find out the truth -- well, if I forget the rest of the movie I think I'll at least remember that bit.

Also the bit when he smiles at Tris while disappearing behind elevator doors. Made me laugh.

I just remembered that there's a whole plotline with a memory-erasing serum. I keep talking about forgetting and remembering, but didn't remember that element until right now. The serum is used for the movie's climax where it works terribly and makes no impression. And when it ends, there's no real conclusion in sight, because the final film has been abandoned. Yep, not even cool art design, rabid fans, or a freaking Skarsgård can save this directionless rust-bucket. Now my spirit is with Peter, jumping around and waving in front of the invisible gate, begging to please please pretty please be let back into the super cool futuristic city -- where characters resemble real people instead of dead horses.

Sunday, October 1, 2017

Upcoming Movie Roundup - October

In September I wound up going to see only one movie, and I was surprised that I did, and even more surprised at how much I loved it -- IT. My brother who loves horror movies and my friend who I obsess over Stranger Things with (ST and IT have similar feels, parallel plot elements, and share an actor) helped me overcome my fear and dive into this quite disturbing, but ultimately incredibly rewarding film. It is very similar to Stranger Things as I mentioned, seemingly taking inspiration from the TV show just as the TV took inspiration from it. Read my review of IT here.

This month, there's a few things to keep an eye on, but the only current must-watches for me are down at the bottom -- TV shows! Stranger Things makes it's long-awaited return this month, and also another scifi show of a very different kind: Dirk Gently's Holistic Detective Agency (review), which was the only other thing I managed to review this past month.

What are you looking forward to seeing this October? Let me know in the comments!


Blade Runner 2049
Oct 6th; R
It's got a visually magnificent trailer and early reviews are leaning almost completely positive, but due to the hardness of the R-rating I probably won't see this one until it releases on DVD. I love the scifi/noir genre more than anything, and that was my favorite thing about the original Blade Runner, so the style appeals to me a lot, but I'm not big on it continuing the story of Deckard. Maybe it turns out fine and I have no problem with it, maybe not. I would be completely on board if it were set in the same universe without referring to old characters, but if the risk of including them pays off, it might turn out better than it could have otherwise. At this point the only question is how good it'll be!




The Mountain Between Us
Oct 6th; PG-13
I'm sure that the talents of Idris Elba and Kate Winslet lend this movie a set amount of entertainment and quality that can't be undone, but otherwise this is the kind of plot that stresses me out more than it entertains me. It's the sort of movie I wouldn't even consider seeing in theaters, but would happily watch at home on a lazy afternoon. I just hope the dog gets a good death scene...
(BTW, if the potentially romantic strangers team up isn't appealing to you but the "survival on a snowy mountain" plot is, you could always see Walking Out which features a father and son in a similar situation, or 6 Below: Miracle on the Mountain, with a lone snowboarder. Yep, there's three of these movies this month!)




The Osiris Child
Oct 6th(limited); NR
This month on neat-looking small-time sci-fi! This one was made in Australia, and has a western feel on the side as a result. The effects look great and the world looks real and gritty. Who knows how the plot will turn out as it's pretty typical on the surface. It could succumb to the typicalness or it could manage to be more on the classic, never-gets-old side. I'd definitely like to find out, but who knows when that will happen.




Happy Death Day
Oct 13th; PG-13
Not exactly my cup of tea -- this is a prime example of the type of horror movie that I don't care for. This one has one gimmick to make it more interesting though: the Groundhog Day effect! To my knowledge it's never been used for a horror movie before, (Supernatural did it, but that's a TV show) so that's pretty original. Otherwise the movie looks maybe even worse than similar movies of the genre. I am a bit curious though, because I have a guess as to who the killer is already. If I'm right it'll be a terrible movie, but worth seeing anyway for the satisfaction. And if I'm wrong, then maybe it would be decent. Maybe.




Goodbye Christopher Robin
Oct 13th; PG
But but but, why Goodbye Christopher Robin? Make me think the little kid is going to die or something. This movie looks super sweet and I don't want that to happen. Domhnall Gleeson and sweet dramas are a perfect combination; I'd probably want to watch this even if it didn't also throwback to my childhood with Winnie the Pooh. Margot Robbie is the wife which is neat because she was the girl who turned him down in About Time. And Kelly Macdonald who's great at everything she does.




Geostorm
Oct 20th; PG-13
Geostorm! Yay! I'm so excited for this movie! BECAUSE THEN I WON'T HAVE TO WATCH THAT INCREDIBLY IRRITATING TRAILER ANYMORE. I'm probably going to end up watching it when it come to DVD, because my brother is obsessed with terrible disaster films, and this one is the most disaster-y of them all. I'm sure it was be both awful and a very enjoyable watch. It's got a classic top-tier doomed movie cast: Gerard Butler, Jim Sturgess, Abbie Cornish, Andy Garcia, and Ed Harris (impressively). Also Jeremy Ray Taylor, who was Ben in IT last month, but it looks like a small part so hopefully he'll be able to get past it.




The Snowman
Oct 20th; R
HAHAHAHAHAhaha. Haha. Ha. Michael Fassbender, Rebecca Ferguson, J.K. Simmons. Sounds nice, but then you get this plot. I seriously don't get this. This is dime-a-dozen serial killer story line, except it looks like it's just embracing all the cliches of the genre instead of trying to subvert them with originally. And we're still supposed to take it seriously? Whatever, this isn't the kind of thing I'd be interested in in any form.




The Gifted
Oct 2nd; FOX
I doubt I'll love it as much as I did Legion, but The Gifted looks so much like Legion made for teens that I get the feeling it'll be at least worth watching. Yeah, it's probably going to have lots of teenager-angst drama, but it looks like a decent production, and even in the trailer the characters are set up to be interesting. Also the length of six episodes is promising -- promising that they won't be draining the life out of the story, but giving us a concise story line that hopefully more or less wraps up at the end, whether a second season is done or not. Actually looking to checking this out.




Dirk Gently's Holistic Detective Agency
Oct 14th; BBC America (season 2)
I just discovered this show, and with perfect timing to be ready for the second season! This show is like what would happen if The Hitchhiker's Guide to the Galaxy and Doctor Who were merged, but confined to Earth, and features a "detective" who follows fate around to solves cases. Everything's connected, nothing's a coincidence, and it's 50% goofy and hilarious, 25% neatly dramatic, 20% mind-blowing, and 5% awkward. I love it. And I'm excited to see the next wacky adventure!




Stranger Things
Oct 27th; Netflix (season 2)
I haven't watched any trailers for this second season, and I don't think I will. I went into season 1 completely unaware and unprepared, and, I think I'm still reeling from it. Recreating the season 1 experience is probably impossible, but I'm just going for knowing the least amount of spoilers that's reasonably possible. This is hands down my most anticipated entertainment event of the month, and if all goes as planned, it will be launched up the the level of Baby Driver and Dunkirk as the best of the year. I'm terrified that this season won't live up to the first, but only because I love it and am so invested in it's success and the standards are so high -- not because there's any kind of evidence that it won't be absolutely magnificent. I. Can't. Wait!

Friday, September 29, 2017

Dirk Gently's Holistic Detective Agency - Season 1

Spoiler free!

I haven't even finished watching season one at this moment, but I'm eager to describe this show because it's not what you might expect. It's not at all what I expected, and if I had expected what I got, I would have watched it a long time ago.

Well -- not a long time ago, since it only first aired in 2016, but you get the drift.

First of all, forget the title, because Dirk Gently is not a detective show. Yes, there is a character who describes himself as and aspires to be a detective, and yes, there is an element of mystery, but it's decidedly not that kind of a detective show. What you need to know is that it's based on books by Douglas Adams. If you know who that is you're a huge step closer to understand what the show is about. If not: he wrote The Hitchhiker's Guide to the Galaxy. Now we're all on the same page. *glances up at my page banner*

Another thing I wasn't expecting was something I love to see happen with TV shows, and doesn't happen enough in my opinion: that the plot runs its course neatly over the whole season instead of being blocked off into episodic adventures that only loosely connect. It's basically an 8-hour movie, utilizing one of the best unique aspects television has going for it today. The new frontier for television! I assume there will be a definite end, but as I said I'm two episodes from finding out. If I'm wrong I'll come back and correct myself. (I was right, it wraps up cleanly. And then it gives a cliffhanger for the next season! Sneaky.)

Kitten!

I've never read Adams' Dirk Gently books, so I can't say as to how accurate this is to them, but the tone is in the right place. Maybe a bit modernized. And even though only one character is British, it has a British feel overall, (and it comes on BBCAmerica) with the same kind of wacky British comedy that comes out of nowhere that everyone loves about Hitchhiker's Guide. It's the kind of comedy where the punch line is so unexpected that you are compelled to repeat it in a high-pitched voice before you laugh -- or more accurately, guffaw -- at it. Also, I found, a lot of short bursts of shriek-laughter. I call it as I see it guys.

Probably the main reason I never gave the show a second glance until now (until my dad convinced me to give it a go -- thanks Dad!) is because it has in it -- as the main character no less. And no, he isn't Dirk Gently. Dirk is the title character but arguably not the main character. I have a history of not particularly caring for Elijah Wood. His being in things has always tended toward being a negative rather than a positive. But he's in this, and it took about to episode 4 for me to admit to myself that he belongs in the role, and he handles both the comedy and the drama well, and is enjoyable, and after all not terribly like Frodo Baggins.

I don't like to say I dislike Frodo. He's the lead character in my all-time favorite films after all. I'm just too familiar with his face. Here, the fur coat helps.

I keep wanting to call him Arthur because he comes across so similar to Arthur Dent, being all disbelieving and on the verge of mental collapse at every moment, yet still manages to be entertainingly casual about it all at the same time. But no, his name is... hang on... Todd! Yes, it's Todd. But no, in my head it's still Arthur. Dirk's name is easy enough to remember, and I have no baggage with the actor, , who I've only seen make appearances on British crime shows. He takes a minute to get used to since the character is super strange and campy and happy and we don't get to see his more human side immediately, but he grows on you eventually and reminds a little of Matt Smith's early days as The Doctor.

If the show where just those two doing their shenanigans I'd be happy, but it's not, and if it was, I wouldn't know what I was missing. (Much like I didn't know what I was missing before I watched the show!) Because the side and supporting characters are all such gems, and there's so many of them! There's a sister (), and an awesome bodyguard lady (). Then there's two cops spoofing crime dramas, a crazy woman hanging out with a random guy she kidnapped, shady military agents (one of which is hilariously dumb), four crazy dudes who go by "The Rowdy 3," and a whole lot of super strange and sinister people (led brilliantly by ) and they all run around in their own plot lines as the plots lines wind together in ways that only a show of this particular brand of meta could handle so humorously.

This is the awesome bodyguard lady. I love her so much.

Dirk Gently's Holistic Detective Agency fills a hole in my entertainment soul that has been vacant for a while, since Doctor Who decided to be terrible. A pure-bred kind of sci-fi comedy that cranks up the enjoyment levels and is worth geeking out over. At least, I'm pretty sure. I have two episodes to go still, so I'll let you know when I'm done: Yep, geek away -- this one's a keeper!

Season 2 is coming in October!