The Cabin in the Woods

Major spoilers in the second half of this review. 
&
I saw this film cut for TV.

I don't watch a lot of horror movies -- in fact, you could almost say I never watch horror movies. As a rule, I am not a fan. Even so, I was interested in this one even way back in 2012 when it came out -- drawn in by Joss Whedon's involvement and it's impressively high Rotten Tomatoes score -- but it's R-rated content was more than I wanted to handle... so I waited three years for it to make its television debut.

A long and suspenseful wait. But worth it.

The film was co-written, and directed by Drew Goddard who recently left an impression on me by being the man responsible for the excellent adapted screenplay for The Martian. Goddard and Whedon's styles pair really well with similar senses of humor, and great attention to detail. The characters are very Whedonesque, and credit for the movie's smooth pacing and wonderfully matter-of-fact storytelling go to Goddard.

The cast is full of familiar faces -- with a few Whedon regulars. The young adults who go to the Cabin are Kristen Connolly as Dana, Chris Hemsworth as Curt, Anna Hutchison as Jules, Fran Kranz as Marty, and Jesse Williams as Holden. Then in the office setting, Bradley Whitford, Richard Jenkins and Amy Acker are responsible for raining terror down on the unsuspecting college students.

Switching back from the horror plot to the everyday life of office workers was neat and effective risk.

Even without watching horror movies I am fully aware of their pitfalls and their cliches. This film willingly hops right into all those "required" moments and then immediately and cleverly turns them around, poking fun at them with a sharp humor that points out the all the holes of the genre. For the first two acts, satire is the name of the game, and Goddard and Whedon win every hand as they use the cliches to their advantage. The plot moves along traditionally as obviously stereotyped characters bite the dust one by one in gruesome, terrifying, and brilliantly tongue-in-cheek ways.

The film's one real problem is a bit of a catch 22. It chastises typical horror flicks by doing the exact same things those films do, and while that makes it funnier in a way, and a great satire, it also means that it still has the essence of the films it is criticizing -- so it can't help but drag itself down a little along the way.

I suppose it had to be worth it though. For the most part.

Major Spoilers from here to the end!
Then the third act twists away from the typical (if satirized) mantra. At this point all the kids are dead except the main girl, Dana, (whose death we all know is optional) and the office is celebrating a successful event. But -- surprise! -- Marty, the dumb stoner dude who's been high the whole movie isn't actually dead! He's actually alive (and actually not that dumb) and his excessive smoking has actually kept him from being affected by the chemicals meant to create the cliches the lead to easier deaths. He and Dana escape to underneath the cabin where the control offices are, and that's where things get really interesting.

The film is pretty great up to this point -- it's scary, thrilling, mysterious, hilarious and very well-made -- but the final twist are what clinches the movies status as a mind-blowing and unique horror film. I expected that some twist of the type would come, but was still taken off guard by pretty much the whole rest of the film.

Got to be the movie's hero, but first had to be the movie's resident dummy.

First of all, Marty surviving was absolutely fantastic. Of the three guys, he has the least hero potential for the first two acts; he was the second person to "die" and probably the most boring character-wise (though he was the sensible voice of reason). He was the goofy comic relief. Then suddenly he becomes the hero (though Dana's heroine is still the main character) as the whole story turns round on its head. Dana stays the same in our perceptions but also becomes more endearing (and she's definitely a Whedon-writ female). The two don't get to add enough depth of character fast enough to be satisfying before the film ends, but what is left wanting is part of the charm and the cool brilliance.

I love the final scene. I can't even remember all of what the two unexpected heroes talk about after the climactic battle, but loved it out of some sort of principle because it "wasn't supposed to happen." So they sit on a staircase and share a joint, covered in blood from head to toe, and then the Earth is obliterated.

Because that's what happens when a horror movie doesn't follow the rules.

Worth it!

The Signal

This review is Spoiler-free.

Two MIT college students are being harassed by a stranger who impressively hacked into the MIT servers and wreaked havoc. The "cool nerd" boys are determined to get even, so when they're helping one's girlfriend move across the country and discover that the hacker's signal is only a little out of their way on the trip, they decide to pay him a visit. From there, things start getting weird.

And the weirdness never stops growing from there on out.

It will be hard to properly represent this film without giving away spoilers, but I'll try. The thing is, the less you know going in, the more surprised you'll be, and the more surprised you are, the more successful the film is. Because, as far as I can tell, this movie's sole purpose is to surprise you -- but it fringes too closely to predictability to be consistently effective at it. So, it's a science fiction, it's suspenseful and occasionally scary, it has a mystery to it, and its filming style is slow-moving and cerebral. Also, at some point, Lawrence Fishburne shows up.

In the leading role Nic, Brenton Thwaites gives a performance that is fitting to the film's style, and is probably the best I've seen him give. Beau Knapp as Jonah occasionally outplays him though. Fishburne is a great constant. Olivia Cooke as Haley, Nic's girlfriend was unimpressive and fortunately wasn't given much to do.

I  just realized Knapp was the gas station clerk in Super 8. Yeah. He's cool.

The highlights of the movie were its surprise reveals. The slow and cerebral pacing kept a suspenseful undertone going throughout, and when it built up into an exciting moment, it did it quickly with the sudden change of pace enhancing the thrill or the shock of the moment. It was quite effective. But great technique aside, the fact that the so-effectively revealed surprises were actually legitimately cool -- or scary or creepy or mind-blowing or whatever the individual goal was -- is really the important thing here. They made the movie fun to watch in the same way that The Twilight Zone is fun to watch.

In the more boring places, the style and the camerawork was just confusing. It seemed like they were trying to say something deep or profound in the subtext, but it all wound up being a waste of time when the film ended with many question still lingering around, unexplained and unresolved. At the end, I could explain what happens plot-wise, but I'm still at a loss as to the why, the reasons for many of the side plots, or what it all was supposed to mean. I will probably never know.

"Why do I see me when I look in the mirror?? This is so trippy."

Though it attempted many things, the film succeeded in one thing only. Fortunately that one thing was the most important one. It left a big impression with its science-fiction-y elements, and The Twilight Zone-like plot. The ultimate straightforwardness of it impressed me in spite of the predictability, and a potentially pretentious indie tone was tempered some classic sci-fi coolness. If, like me, a little science fiction is all you need to enjoy a film, then by all means... take the bait.

Upcoming Movie Roundup - November

In October, I saw The Martian (click to read my raving review), and it totally rocked my world, and blew me away, and I barely even thought about any of the other movies I was mildly interested in seeing, let alone actually considered going to see any of them. Instead I spent the entire month re-watching old Matt Damon movies and longing to see The Martian again, but wasn't able to. I finally did yesterday, so now I hopefully won't be distracted from the new movies of this month of November. Cause it's looking like a very fine month for movies.


Spectre
Nov. 6th; PG-13
I'm not a huge fan of James Bond, and Daniel Craig is one of my least favorite portrayals of him. Bond movies have always been the kind of movies that are pretty to look at but not particularly deep on character, or wise when it comes to morals. But at least they were fun to watch. Recently, they haven't even been that -- just more beautiful and more meaningless than ever. So I'm more excited for Spectre being the last Craig Bond film -- so we can see who will play him next -- than I am for the actual movie. I have no doubt I will watch it eventually, it's just a matter of when. And the more thrilling and fun it is the more I'll enjoy it, and if it's just a pretty spectacle, I'll just try to appreciate that. There's a top-notch guest cast of Christoph Waltz and Lea Seydoux, but I'm most excited to see Dave Bautista as a henchman.




The Peanuts Movie
Nov. 6th; G
Okay, I just love the Peanuts too much, and this trailer did not impress me. Not even close. And it's too be expected -- I feel protective of these characters. I don't want to see some weird version of them that I arbitrarily deem to be wrong! This trailer was not at all impressive, but it didn't totally convince me that the movie will be terrible either. However, I will not be watching this movie unless something or someone can convince me that it is an actually great and actually funny and actually respectful of the source material. I'm determined to play hard to get. So win me over if you can!





Brooklyn
Nov. 6th(limited); PG-13
Set in the 1950's, a young Irish girl immigrates to America.... That's enough information for me -- they had me at "Irish." It looks like a romantic drama, and it looks really sweet. And very Irish. And very 50's. Saoirse Ronan is the girl, and the cast also includes Domhnall Gleeson and a relative unknown, Emory Cohen, who rounds out the love triangle. Honestly, this looks like the exact kind of movie that I (and the rest of the ladies in the family) will watch no matter what kind of reviews it gets, even if they're terrible, but I don't think we'll have to worry about that. It's already getting stellar reviews and I can hardly doubt it'll be a wonderfully lovely movie.




Man Up
Nov. 13th(limited); NR
Lake Bell gets accidentally mistaken by Simon Pegg as his blind date, and decides to go along with it (who wouldn't?) to humorous, and possibly disastrous results (for her -- hopefully not for the movie!). It doesn't look groundbreaking or anything, (in fact it looks downright cheesy) but hey -- it's a British rom-com with Simon Pegg! Does it really need to be groundbreaking or anything more than cute and cheesy? Answer: No. No, it does not.




The Hunger Games: Mockingjay Part II
Nov 20th; PG-13

Ah, here we go -- the big one. Finally the end of The Hunger Games series! The dullness of Part I blew a lot of wind out of my sails, but I suppose it's time to try and get it all back for the big finale. It's looking huge and epic, and will certainly be exciting and intense. I'm looking forward to a few things... and not looking forward to a few things. Right now I can't see liking it more than the first or second films just because of the story, but maybe it'll make up for it with that giant budget and beautiful style -- or, maybe there'll be a few rewrites! You never know. But anyway, Jennifer Lawrence's Katniss is back for the last time, and is just as determined as ever. Finish strong, and may the odds be ever in your favor!




The Good Dinosaur
Nov 25th: PG
What? Did humans evolve from dogs now? Anyway, the next Disney Pixar heart-string-tugger is almost here, and I haven't even seen the last one yet! This one's trailer isn't very interesting to me, but I'm going to try not to base my opinion on it too much, considering Disney's terrible reputation for creating trailers that don't represent their movies properly. Since it's a Pixar, the big question here isn't "will it be a good movie?" but more, "will it actually convince me to see it?" Right now it's not off to a great start. But there's potential.




The Man in the High Castle
Nov. 20th(streaming on Amazon Prime); TV:MA
The pilot has been available fro streaming for a while but I've been waiting for the rest of the series to come along and it's not long now! Based on a Philip K. Dick novel, this Amazon series is set in an alternate reality where the Nazis won WWII. This trailer kicks the interest up even more by revealing that people find footage showing us winning the war, which creates that epic sci-fi mystery that a signature of Dick's. Rupert Evans and Rufus Sewell are the familiar names of the large cast. It looks terrifying and dark and intense, and as long as the content isn't pushed too far, I will definitely be watching it come the twentieth.



What movies are on your list this month? What are you excited for? Let me know in the comments!

Shaun of the Dead

This review is Spoiler-free.

In the first -- and the strawberry-flavored -- movie of Edgar Wright and Simon Pegg's wonderfully brilliant Three Flavours Cornetto Trilogy, Simon Pegg is Shaun, a twenty-nine year-old, uninteresting, uninterested electronics salesman, who never bothered to get his life in order. He lives with his best friend Ed (Nick Frost) who is even more of a do-nothing than he is. And Shaun's girlfriend Liz (Kate Ashfield) has reached a breaking point -- a breaking up point. But things must always get worse before they get better, and that's where the Zombie apocalypse comes in.

Yes, Shaun, if the city is overrun with the undead, then you probably don't need to go into work.

In spite of (or perhaps a bit because of) Shaun's unmotivated attitude, he is still easily Pegg's most endearing character of the "trilogy." The everyday, well-meaning, average guy, who can be extremely motivated when it comes to things he truly cares about, Shaun is a fantastic character, a deceptively simple stereotype, and so easy to love and root for. If you don't like him at the beginning, but do by the end, it's not because of any change in him, but because of you, realizing that he's really been a great person the whole time. And Simon Pegg's performance as him cinches all those endearing qualities. I wonder at why mainstream movies always keep Pegg in the "quirky comic-relief side character" category. He is totally brilliant at comedy of course, but is no less great at drama. Real, actual, deep drama. Yet it seems like he rarely gets real drama to play outside of these three films. Makes them all the better for it I suppose!

These two. Oh man, these two.

And he and Nick Frost make a wonderful duo. I mean, that's an obvious thing to say, but they really really do. They work off each other and make each other funnier, and more compelling. Frost's character of Ed here isn't as endearing as Shaun, but is still very funny and goofy, and gets his dramatic moments too. Kate Ashfield as Liz basically equals Ed's character for second main character, and while she isn't characterized to be super funny, is definitely a good character. Liz's flatmates Dianne and David (Lucy Davis and Dylan Moran) don't really reach the great humorous heights of the other three leads, but they support very well, and that is plenty. Penelope Wilton is amusing as Shaun's shell-shocked mum, and Bill Nighy is as good as ever as his step-dad. Jessica Hynes (Stevenson) is Shaun's female doppelganger, and Martin Freeman has a bit-part as her boyfriend, in one of my favorite gags in the movie.

Wait a minute...

Humor is this film's main source of brilliance. The beginning shows dead-eyes humans slothing about with no purpose, and they aren't even zombies yet. The sequence of Shaun doing his morning routine, and then doing it again the next day, not noticing that zombies have replaced all the people around him, is fantastically amusing, and also pretty fantastic storytelling. I also just adore the scene of throwing records at the zombies, trying to decide which ones are worth breaking. From the extended jokes, down to the smallest hilarious expression, this movie, it's script, and it's actors, and of course the director, all really know how to handle the comedy, and it's what makes the movie as great as it is.

And that's why, when the comedic tone fades into a serious dramatic one with only a side of comedy in the third act, the tone change is too obvious, and it suddenly feels like the film had gone downhill -- just a little. Thinking about it, I like the drama; I like that this movie has a deeper meaning to it than just killing the undead in humorous ways, and I love that it has an underlying heart beneath all the strawberry-flavored gore. If it could have those things without having to cut back as much on the hilarity though, it would have been that much better. There are still often funny and amusing moments, but it gives way to the drama, instead of letting it come up beside and work in tandem. It's not the worst trade in the world though; Simon Pegg is a great crier, looking so incredibly and pathetically sad, and the dramatic twists and conflicts give much more interest than people whacking zombies on the head.

Not that whacking zombies on the head isn't fun or anything...

Understandably, this film is rated R, with some language, and one particularly violently gross spot. And, I have to say that I don't love the ending. I respect it, but it's not what I would have wanted to do. But then again, what I would have wanted to do wouldn't have matched the style of the rest of the film, so I suppose I have to admit that it was the right ending. With Edgar Wright's brilliant directing vision, Simon Pegg and Nick Frost's winning combo, all the wonderfully original and incredibly smart jokes, and the endearingly off-kilter style, Shaun of the Dead absolutely kills.

The History of Future Folk

This review is Spoiler-free.

On the distant planet of Hondo, there lived a little boy named Trius who promised his mother that when he grew up he would find a way to destroy the comet that was heading toward their home planet. He grew into the greatest Hondonian General ever known, and one day set out to save his people. He crash-landed on a planet called Earth, which was the perfect planet for the Hondonians to relocate to.

But -- just as he was about to release a toxin to eradicate the current inhabitants, he heard something in the local Costco: music. Hondonians don't have music, and he had never heard anything so amazing before. It changed him. He learned how to play the Banjo and started up an act in a club. He got married, and had a kid, and years went by. But he never forgot his mission or his promise.

General Trius (right) and the mighty Kevin.

The two stars of this strange, strange little film -- Nils d'Aulaire who plays General Trius, and Jay Klaitz who is Kevin, an assassin sent to kill Trius and complete his mission -- are actually a musical duo with an act like the one in the movie. In fact the movie was made because of their success and is based on the fictional backstories they created for the show. They are called Future Folk (now the movie's title make sense) and they play space-themed folk music. Yes, you heard that right. Space-themed folk music. And it's awesome. The two are enormously talented, and their music is equally beautiful and hilarious.

The movie is worth watching for the musical scenes alone. Unfortunately the rest of the film suffers by comparison. It does have a consistently engaging plot though. There's decent acting, and even a few interesting and humorous filming techniques. The writing is hit-and-miss. The feel is decidedly Indie and the deadpan tone enhances the humor of it all very well. But none of it quite reaches the level set by the musical performances. It's an imbalance that enhances the music and dulls everything else, and the shifts between the two are a bit jarring.

But, much like the combination of sci-fi lyrics with folk-music sound, it's all part of the charm.

Knowing that the main point of the film is the music makes the few low-budget shortcomings easily forgivable. Plus the total-geek vibe sent out by cheesy costumes and laughable fight sequences gives this wacky flick that distinctive cult feel, and that makes me think it's perfect exactly the way it is. It's themes are simple, but sweet and positive, giving just the right amount of heart to this very, very strange, shamelessly geeky, and impressively folk-y musical adventure.

Hondo!

The Martian

Mild Spoilers.

Six astronauts are sent to Mars for the Ares 3 mission -- Melissa Lewis (Jessica Chastain), Alex Vogel (Aksel Hennie) Chris Beck (Sebastian Stan), Rick Martinez (Michael Peña), Beth Johanssen (Kate Mara) and Mark Watney (Matt Damon). Their mission on Mars was supposed to last 31 sols (Mars days), but on the 18th sol, a huge storm blows in, forcing them to abort their mission. During their escape, they lose one of their men; the lowest ranking, the botanist, Mark Watney.

In any other space movie, this would just be the first casualty of probably many (with six people, you have plenty to spare) but this cheeky lighthearted botanist doesn't get the memo: he wakes up on Mars, alone, with an antennae stuck in his gut, and decides that he's going to live. On Mars. With limited food. In a Hab meant to last 31 days. For 4 years. Until the next Ares mission will come, and he can hitch a ride home. How? Science.

The coolest interplanetary scientist on the planet.

Okay, I just have to say one thing before I can fully concentrate on this movie: The book was better. And once you finish reading this review you'll know that I say that only to emphasize how remarkably, incredibly amazing the book is, not to say that this movie is in any way lacking. Because it's not. Anyway, with books, you can't include an awesome soundtrack!

This story's greatness comes mainly from its stranded hero, Mark Watney. In spite of his nearly hopeless situation, he stays optimistic, and works determinedly to solve the daunting problems in his way with a cheerful attitude. This creates a lot more humor than one would really expect out of a space survival movie, and Matt Damon is the ideal person to play this endearing every-man and unconventional hero. The ability to become a person who can crack a joke while losing a staring contest with death isn't really definable by what one would normally call "talent" -- it's a quality that you either have, or you don't. Well, Matt has it.

He's the same from beginning to end, never going through a "heroic journey" or any character change at all. It's unusual. I love it.

Damon fills the personality of the lonely Martian comic perfectly, and then puts his talented efforts into portraying the serious and intense drama realistically. Charm isn't something that Damon's characters ever really lack, so it's no surprise Watney has that, but the level of vulnerability we see in him is less expected. If you don't absolutely adore this character after the first 30 minutes, you have a heart of stone. Rooting for a hero with complete abandon has never been so effortless and inviting.
 
He may be the lone man on Mars, but he is certainly not alone in the movie. The rest of the crew mentioned above all have their part and do their share. Particularly outstanding is Chastain as the ship's commander. She gives a deep and elegant performance. I also just really love Michael Peña. He always keeps thing up-beat and interesting. I wished to see more of Stan's doctor Beck, but when you're the strong and silent type, that just how it goes. Hennie's German scientist keeps up with the bigger names easily, and Mara hits the mark for the geeky and kinda weird cute girl.

You're awesome, you're awesome... you're ALL awesome!! Sadly Michael Peña is absent in this photo. Michael, you're awesome.

On Earth we have another cast, and another story line, as NASA does their part to bring Watney home alive as well. There, we have Jeff Daniels as the head of NASA, Chiwetel Ejiofor as the head of the Mars missions, Sean Bean as the Ares flight director, Kristen Wiig as NASA's media relations, plus Donald Glover, and Mackenzie Davis. These guys almost split their screen time with Damon, and while none of them come close to having the captivating charm of his Watney, they all do a great and commendable job. Standouts here are Ejiofor, who comes across effortlessly, and controls the screen while he's on it, and Glover who's just... unexpected.

And you, sir, are a steely-eyed missile man.

Fact: space movies are better with a soundtrack from the 70's. This movie uses that knowledge to full advantage, by including several musical working-montages, that are, to be perfectly blunt, epic. This really is the one thing the movie could do that the book couldn't, and it was beautiful, and sometimes very funny, and beautiful. In fact this whole story is a balance of beautiful and funny. The comedy comes too often and is way too unique and funny to be classified as just comic relief, and in the hands of Ridley Scott, the look of the film is consistently breathtakingly gorgeous, and beautifully foreboding. It gets every bit as edge-of-your-seat intense and despairingly emotional as you'd expect from such a hardcore survival adventure, but remembers to give us plenty of relief too -- via wit and fun and grandeur and many glorious moments of triumph against the odds.

Starman, waiting in the sky....

Adaption-wise, there was a lot that was word-for-word the same, and there were some changes; some that I expected and some that I didn't. But, the reason why I love this story so wholeheartedly is not because of the events that take place, and in the end, even the few bigger changes made no real difference because the heart of the film stayed exactly the same. This story focuses on sincerely connecting with its audience, giving us a straightforward story full of simple truths and raw honesty, instead of coolly trying to impress us with cheap, contrived, and empty parlor tricks.

I was wowed by the visual feats and impressed by the practiced, involving film-making. I had tons of fun listening to the musical montages and Watney make sarcastic quips with all that Matt Damon charm. And the fact that most of the film is scientifically viable is endlessly impressive. Those things all make a good, enjoyable movie, but this achieved greater heights than that. I don't abandon my cynicism and reserve while watching movies lightly, but here I willingly fell head over heels, because I found something that was worthy of investing my cares in. A genuine, everyday, unlikely fictional hero set in a story that is designed to sincerely engage and inspire us through him.

The all natural, organic, Martian-grown potato farmer.

The Martian resonates because of a striking harmony of simple, but powerful details. Mark Watney is a good guy, put into a near-impossible situation. Totally alone, he scrapes and fights with an uncrushable spirit. He may feel it, but he's not truly alone; on Earth, complete strangers pitch in valuable time and resources to his desperate cause. And Watney's crew all happily risk their lives for him. The fact that this story is technically science fiction, set on Mars, using real science theoretically in order to create a realistic backdrop, is just that; a really, really, really neat and fantastic backdrop. The core of the story itself as real as it gets; affirming the inexhaustible value and wonder of human life.

On Mars. To the tune of David Bowie. And ABBA. With science!

Upcoming Movie Roundup - October

Last month went as expected, with a trip to the theater to see The Scorch Trials, which I thoroughly, thoroughly enjoyed, and Before We Go from the comfort of the TV room sofa. October has one huge must-see that I've been waiting for rather desperately for the past two weeks or so, and a couple promising others that may be a good DVD watch sometime. But first things, first...


The Martian
Oct 2nd: PG-13
So much yes. So much. I'm really surprised at myself for how incredibly excited I am for this movie. It's the first movie whose anticipation has actually made me forget about Star Wars 7. Even Rogue Nation only made me temporarily forget after I'd seen it. I wrote a whole post about my high anticipation and expectation levels that you can read here -- but here's the short version: Matt Damon is Mark Watney, an Ares astronaut, who, through an unfortunate series of events is stranded alone on Mars without his crew (Jessica Chastain, Michael Pena, Sebastian Stan, Kate Mara, and Aksel Hennie), without communication, and with food and supplies meant only to last 31 days; he must use his smarts (and real science) to survive. The cast also includes Chiwetel Ejiofor, Sean Bean, and Kristen Wiig. The book was brilliantly smart and thrilling, and the Ridley Scott film promises to be faithful adaptation, and a compelling science-fiction-meets-science-fact adventure. Can. Not. Wait.




Pan
Oct 9th: PG
It looks like a cute, fun, adventurous remake of Peter Pan, and the origin story gives good opportunity to get creative with the story as well. Early reviews coming in are not nearly as positive as I would like, and are turning me off from wanting to see it in theaters, but they're not quite bad enough to keep me from wanting to see it altogether. I just have to see Hugh Jackman being the film's villain Blackbeard, and Garrett Hedlund as the young, not-yet-Captain Hook -- minus the hook (we'll for how long!) I guess I just won't expect too much out of it.




Crimson Peak
Oct 16th: R
If I watched horror movies. I don't, (certainly not this kind) and don't think I could -- even for Tom Hiddleston and Jessica Chastain and Mia Wasikowska -- but this one looks like a real quality horror movie, which is the only kind that ever tempts me in the slightest. And it has such an elegant, beautiful style... but then is so disturbingly creepy. If I watched horror movies... Here's the trailer, but don't watch it -- cause it's scary. :P




Goosebumps
Oct 16th; PG
Okay, I never read any of these books as a kid (perhaps that had something to do with my aversion to horror movies now?) so I don't have any sentimental attachment to this movie, but for some reason I still have a nice, mild interest in this. Of course it looks totally silly and cheesy, but sometimes when it's done right those things can make a movie really fun to just enjoy and laugh at and not really think about. And you need a movie like that every once in a while. Jack Black and Dylan Minnette star.




Bridge of Spies
Oct 16th: PG-13
Steven Spielberg's Cold War drama starring Tom Hanks. So the chances of this being a well-made film are pretty much %100. And well-acted. And well-scored. And dramatic. So this one's really a no-brainer, but I don't currently have any real interest. I love Spielberg's movies, and period dramas are great, and Tom Hanks promises to be as great as ever, but I'm just not too excited about this being more of a political drama war-movie, instead of an more action-centered war-movie. The trailer does show some bits of action, but nothing really big. So I'll just have to wait and see if it really is a straight drama, and if it is, just wait until a war drama is what I want to see!




Suffragette 
Oct 23rd(limited); PG-13
Okay, so this movie looks well-made and everything, plus it has a great cast including Carey Mulligan, Meryl Streep, and Helena Bonham Carter, but honestly, it looks like it's absolutely nothing more than propaganda for extreme modern feminism, and that just completely ruins it for me.




Burnt
Oct 23rd(limited); NR
A Bradley Cooper chef movie! This one has quite the supporting cast too -- Sienna Miller, Alicia Vikander, Lily James, Emma Thompson, Daniel Bruhl... It says it's a dramedy, but from the trailer it looks more like pure drama. Still, it's about cooking, and stars Bradly Cooper. It's one of those "wait and see" cases I suppose.



What are your movie plans for this fall month? Tell me in the comments!